5 replies
1 reply
1 reply
2 replies
1 reply
1 reply
1 reply
3 replies
1 reply
1 reply
1 reply
5 replies
2 replies
Piano Concerto No. 2 (200k special)
i recommend having volume on 40 - 75%
scroll down for analysis
dedicated to andante
sheet music (wip)
I had to rethink my entire way of composing to write this, basing orchestration off of people like rachmaninoff
Adding onto that, the way of writing is much more romantic-style than my previous pieces, I spent tens of hours analyzing pieces by rachmaninoff, scriabin, chopin, and other composers to see what made their music sound good
I had to experiment with something i like to call "theme permutations" which i had learned about from scriabinisntatonal's music, as well as the best completion of Bach's "The Art of Fugue" by Zoltán Göncz
check out the main inspiration for this piece, a much better concerto than mine (im not sure if its in e minor, eb minor, or f# minor
total duration: 54 minutes
I. Moderato (1 - 608 / 00:00 - 20:13)
........Exposition (1 - 172)
........Development (173 - 422)
................Cadenza (329 - 422)
........Recapitulation (423 - 526)
........Coda (527 - 608)
break between I and II (609 - 612 / 20:14 - 20:29)
II. Adagio molto e cantabile (613 - 716 / 20:30 - 30:56)
........Theme 1 (623 - 638)
........Theme 2 (639 - 666)
........Theme 1 (667 - 680)
........Theme 2 (681 - 686)
........Theme 1 (687 - 704)
........Theme 2 (705 - 716)
III. Rondo: Allegro energico (717 - 1586 / 30:57 - 54:07)
........Exposition
................A (717 - 788)
................B (789 - 887)
................A' (888 - 944)
........Development [C] (945 - 1084)
........Recapitulation
................A" (1084 - 1126)
................B' (1126 - 1219)
................A"' (1219 - 1266)
........Coda [D] (1266 - 1539)
................Cadenza (1266 - 1374)
scroll down for analysis
dedicated to andante
sheet music (wip)
I had to rethink my entire way of composing to write this, basing orchestration off of people like rachmaninoff
Adding onto that, the way of writing is much more romantic-style than my previous pieces, I spent tens of hours analyzing pieces by rachmaninoff, scriabin, chopin, and other composers to see what made their music sound good
I had to experiment with something i like to call "theme permutations" which i had learned about from scriabinisntatonal's music, as well as the best completion of Bach's "The Art of Fugue" by Zoltán Göncz
check out the main inspiration for this piece, a much better concerto than mine (im not sure if its in e minor, eb minor, or f# minor
total duration: 54 minutes
I. Moderato (1 - 608 / 00:00 - 20:13)
........Exposition (1 - 172)
........Development (173 - 422)
................Cadenza (329 - 422)
........Recapitulation (423 - 526)
........Coda (527 - 608)
break between I and II (609 - 612 / 20:14 - 20:29)
II. Adagio molto e cantabile (613 - 716 / 20:30 - 30:56)
........Theme 1 (623 - 638)
........Theme 2 (639 - 666)
........Theme 1 (667 - 680)
........Theme 2 (681 - 686)
........Theme 1 (687 - 704)
........Theme 2 (705 - 716)
III. Rondo: Allegro energico (717 - 1586 / 30:57 - 54:07)
........Exposition
................A (717 - 788)
................B (789 - 887)
................A' (888 - 944)
........Development [C] (945 - 1084)
........Recapitulation
................A" (1084 - 1126)
................B' (1126 - 1219)
................A"' (1219 - 1266)
........Coda [D] (1266 - 1539)
................Cadenza (1266 - 1374)
50 Comments
Every time I listen to your concerto I get more and more impressed. Im not exaggerating when I say this is seriously one of my favorite pieces I have ever heard. I get goosebumps at least every two minutes listening to it and the third movement has some of the most beautiful sections I have ever heard in my life. Not just from you. From anyone.
5 replies
I don't think you fully understand what your music does to people. Or maybe you do and you just cant let yourself believe it. Either way I need you to know this.
Im grateful for your music. But Im more grateful for you. For being my mentor, for showing me what was possible, for being the reason I started writing at all. You gave me something I didn't know I needed and I don't know who I would be without it.
Most of all I'm grateful you're my friend. Not my teacher, not my mentor, my friend. That matters more than any of the rest of it.
You should be so proud of what you've made. I know pride doesn't come easy for you. But this concerto exists and it is extraordinary and you made it. No one can take that away.
I hope one day you hear it the way I hear it.
@Viri: jesus christ this is an essay
@ewrruewc: thats how much i care <3
absolutely zero concept of music theory.
1 reply
would you mind elaborating?
Wow
I dont know if i could do anything this good if i had YEARS let alone MONTHS
I'm 10 minutes into this and it's genuinely one of the most impressive things I've ever seen. A whole hour of unique music is hard to wrap my head around, especially in the amount of time it was made. I struggle to make 2 minutes of music (with lots of repetition) and still take like 2 months to finish those tracks. All of that, plus the fact this was made in a free website. I'm surprised OS can even handle this
1 reply
I appreciate it!! I spent months on this and i genuinely dont think im going to write anything better, though in the musescore revision measures 101-120 and 459-178 dont appear at all. If you are going to, I hope you enjoy the rest of the piece however many minutes that is now
1 HOUR?!?
2 replies
is there a problem with that?
@ewrruewc: No
this is so impressive
1 reply
thanks
holy chaos of a sequence
1 reply
its all structured
Just listened to the entire thing and wow, this is amazing! Great work!
1 reply
Thank you! Ive spent forever on it
No words, I cried.
i don't think i've ever seen a sequence more than 10 minutes long that took actual effort to make 🤯
genuinely one of the coolest sequences i've seen on this website, the care put into this is unreal
3 replies
Finally found the time to listen to the whole thing, this was an absolutely wonderful listen. It makes me thrilled that you learned something from my pieces and applied them. I actually learned about "theme permutations" from Nikolai Medtner. If you haven't heard of his music yet, I highly suggest looking at his 3 concerti. There's almost never a measure where Medtner doesn't refer back to a theme or motif in these concerti.
1 reply
I like trying new things in music, and I already like writing really long and extensive development sections to get the most out of a theme, theme permutations just helped give more possibilities and im glad that you think i did well on the concerto.
I will be checking out Medtner's concertos and hopefully they might give me some ideas on how to get out of this creative block.
Im actually surprised this was done in 2 months
1 reply
The original concerto was done in two months, and the revision took a month
with a month break inbetween it leads to a much more believable 4 months
The amount of skill, experience, and patience you have is top 1% of the human population.
1 reply
Top 0.1%
music theory final boss
5 replies
im sure this violates the rules of music theory at least 15 times per minute
@Ewrruewc: *suggestions of music theory
@Thrizard: fair enough, but i think its justified because the ending im working on took me 10 minutes to orchestrate a single chord
@Ewrruewc: woah. i cant wait to see the revised finale
@Thrizard: i have about 48 measures left to orchestrate but im not publishing the revision until i reach my 200k
saw this and was like: cool.
realised this was an entire hour:
2 replies
thanks?
@Ewrruewc: yw
So impressive!
fire 🔥🔥🔥
Link to this sequence: 4805375
Simple
Advanced
Synthesizer
Instrument name
Mute
Solo
Copy
Load
Clone
Delete
Stack...
Clear Solo
Reset
Volume
Delay
Panning
Detune
Reverb
Distort
Equalizer
High
Mid
Low
Bitcrusher
Synthesizer
Resonance (Q)
LFO
1/4
Envelope
A
D
S
R
Offset
Delay
BPM
Title
Instrument
- Select/deselect notes
- Select/deselect markers
- Save a copy
- Save offline
- Export MP3
- Export WAV
- Export MIDI
- Import MIDI/Sequence File
- Fast graphics
- Invert
- Minor ⇄ Major
- Reverse Selection
- Humanize Selection
- Legatomize Selection
- Fade In Selection
- Fade Out Selection
- Stretch Selection
50
Connect a MIDI keyboard.
Record keyboard and MIDI inputs.
Snap recorded notes to the grid.
Filter recorded notes using the key guide.
Play a metronome. When recording, gives a 4 beat lead in.
OnlineSequencer.net is an online music sequencer. Make tunes in your browser and share them with friends!
Made by Jacob Morgan and George Burdell
·
Hosting 5,193,455 sequences since 2013 ·
Buy us a ☕ ·
Privacy
·