Online Sequencer Wiki - User contributions [en]

Mixing and Mastering

2026-04-24T13:52:57Z

Ewrruewc: Undo revision 1771 by GeometryDashIsTheGameOfGods (talk) you have 2k plays, you are clearly not old enough to be on os if you think that is enough to be accepted onto any major list

'''Mixing and Mastering''' is the process of tweaking attributes of sounds within music to make it sound clear and organized. This skill is essential to make music regardless of which medium is used to create it. In Online Sequencer, limited tools are available for mixing, but good results are still possible, even with complex and layered songs. Here, most mixing is accomplished through the instrument settings, using volume, panning, equalizer, and reverb. Others like detuning and distortion are useful too but are not always necessary.

== Hardware ==
To mix correctly, speakers or '''headphones''' that provide an even listening experience are required. Many will sound wildly different from one another, but studio-focused and critical listening models will be calibrated more neutrally. For a sound device to be appropriate for mixing, it must have a flat frequency response. This means that the device will produce an equally loud sound regardless of how high are low pitched the signal it receives is. Listening to music with speakers that provide extra bass sacrifices clarity elsewhere, and gives you an experience that is skewed toward those frequencies. It is long debated whether headphones or speakers are better for mixing; that will not be addressed here.

=== Headphones and Speakers OS Creators Use ===
* Alex!: Audio Technica ATH-M50x
* Ashduino101: Audio Technica ATH-M50x
* Benvisions: Jlab Go Work
* Calico: Audio Technica ATH-M40x
* Cool172: Beyerdynamic DT-770 Pro 80ohm
* Crumthecrumb: Anything that works
* Jacob_: Sennheiser HD 558/650
* Liam: AKG K712 Pro
* Lopyt: Kali LP-6
* Lumien: AKG K240 Studio
* Syntax: Beyerdynamic DT-770 Pro

Another important thing that is useful in music production is the '''Audio Interface.''' It acts as another way to plug your headphones or speakers into the computer, and can also be used to plug in and record instruments or microphones. If your computer's audio output is noisy or doesn't sound good, using an audio interface is necessary. Some headphones can also require amps or audio interfaces to sound correct. An audio interface is not necessary if the audio output on your device is already good, and you aren't plugging in audio inputs.

== Creating Clarity in Music ==
A well-mixed song allows the listener to hear the parts and melodies that different instruments are playing, without blasting the volume or causing discomfort.

=== Panning ===
Panning (moving sounds left and right) can be used to separate elements of a song, and direct the listener's focus. Key parts like the bass line, kick and snare drums, and the melody should all be kept to the center of the mix most of the time. Any instrument that can warrant the listener's full attention should be kept in the center. Parts that are supplemental to these can be panned to either side, such as harmonies that compliment the melody, block chords, less crucial percussion elements like the tambourine, toms, and ride cymbal. Keep in mind that panning instruments too far to one side, without panning some to the opposite side can cause the music to be too heavy on one ear.

=== Volume ===
Volume is the largest contributor to bad mixes, but one of the easiest things to get right. At their default volume, many of the sequencer's instruments will play at wildly different volumes from each other, so the default volume must almost always be changed. Percussion and melody should always be loud enough to be followed by the listener. It's alright to make harmony instruments and chords a bit quieter as they are supplemental to the melody. Volumes may have to be changed throughout a song, as the intensity and vibe shift. If an instrument is so loud as to cover up other instruments, it needs to be quieter. If the music is so loud that clipping can be heard (an effect where the sound cuts out as the level is too high), the bass is often the culprit.
[[Category:User experience]]

Custom Instrument Archive

2026-04-24T13:51:14Z

Ewrruewc: Undo revision 1770 by GeometryDashIsTheGameOfGods (talk) dude your instruments are ass

This is a list of many custom instruments and sounds created by the OS community.

= Instruments =

=== Oboe/Bassoon ===
Creator: [https://onlinesequencer.net/members/12442 Solea]

How to create:

* Select synthesizer or create a clone.
* Set the waveform to sawtooth
* Set the filter to lowpass and set the frequency to somewhere around 1200
* Change the LFO to pitch, and set the intensity to 5
* click on the ASDR envelope and set the attack, decay, and release to 0. Then, set the sustain to around 0.5.

[[File:Screenshot 2026-02-13 164202.png|thumb|269x269px|Synthesizer settings for oboe|none]]
* In advanced options, set Classic Reverb to about the middle of the slider
* Click EQ and set the High and Mid EQs to around 20.
* Turn the volume down to your liking.

[[File:Oboe2.png|thumb|275x275px|Advanced options settings for oboe|none]]

To make the oboe more realistic, use markers to increase the pitch LFO intensity on long sustains.

[https://onlinesequencer.net/4538032 Example Sequence]

———————————————————————————————————————————————————————————————
=== Oboe 2 ===
Creator: [https://onlinesequencer.net/members/70888 ewrruewc]

How to create:

* Select flute or create a clone.
* Set the reverb to Classic (100%)
* Set the distortion to hornet (100%)
* Lower the mid and high Eqs to -10
* Lower the low Eq to -48

you will need to psuedo sustain for notes longer than a quarter note but it works well for shorter notes

[https://onlinesequencer.net/5160776 Example Sequence]

———————————————————————————————————————————————————————————————

=== Bagpipes ===
Creator: [https://onlinesequencer.net/members/164397 spira.]

How to create:

* Select synthesizer or create a clone.
* Set the waveform to sawtooth
* Set the filter to lowpass and set the frequency to somewhere around 1200
* Set the resonance all the way up to 10
* Change the LFO to pitch, and set the intensity to 5
* click on the ASDR envelope and set the attack to 0.60, the decay to 0.90, the sustain to 0.60, and the release to 0

[[File:Bagpipes.png|thumb|269x269px|Synthesizer settings for bagpipes|none]]

* In advanced options, set Large Reverb to around 0.30

* Click distortion and set it to Hornet with an intensity of 0.55
* Click EQ and set the High EQ to around 9
* Set the detune to -1200 (optional)

[[File:Bagpipes2.png|thumb|Advanced options for bagpipes|none]]

Now, make a clone of the bagpipe, and set the detune to about 10-20 cents above the first synth. Layer both on top of each other to get the bagpipe sound.

[https://onlinesequencer.net/5197846 Example Sequence]

———————————————————————————————————————————————————————————————

=== Ragtime Piano Sustain ===
Creator: Unknown

How to create:

* Create your desired melody with grand piano
* Create a clone and detune it about 20 cents higher than the latter.
* Layer it on top of the other piano.
This is very simple, but it is included because it is very practical.

[https://onlinesequencer.net/5032089 Example Sequence]

———————————————————————————————————————————————————————————————

=== Clarinet ===
Creator: [https://onlinesequencer.net/members/70888 ewrruewc]

How to create:

* Select synthesizer or create a clone.
* Set the waveform to square
* Set the filter to lowpass and set the frequency to somewhere around 2200
* Set the resonance all the way up to 3
* Change the LFO to pitch, and set the intensity anywhere from 2 - 8
* click on the ASDR envelope and set the attack, to 0.10, the decay to 0.30, the sustain to 0.70, and the release to 0

* In advanced options, set Short Reverb to around 0.65
* Click distortion and set it to Hornet with an intensity of 0.25
* Click EQ and set the High EQ to around -35
* Click EQ and set the Mid EQ to around 15

———————————————————————————————————————————————————————————————

=== Trumpet ===
Creator: [https://onlinesequencer.net/members/150860 wasedrftq1234]

How to create:

* Select brass or create a clone.
* In advanced options, select Gated Reverb to around 1.00
* Click distortion and set it to Tremor at 0.5
* Click EQ and set the High EQ to -45, the Mid EQ to 10, and the Low EQ to 3

[[File:Trumpet.png|thumb|Advanced options for trumpet|none]]———————————————————————————————————————————————————————————————

=== Glockenspiel ===
Creator: Unknown

How to create:

* Select vibraphone or create a clone.
* In advanced options, set Large Reverb all the way up to 1.0
* Move the detune slider all the way up to 1200
* Click EQ and set the High EQ to around -8

[https://onlinesequencer.net/4989097 Example Sequence]
———————————————————————————————————————————————————————————————

User:Ewrruewc

2026-04-23T10:59:52Z

Ewrruewc: Undo revision 1762 by Cjclark430 (talk) already spelt correctly

{| style="border:1px solid #BBB; float: right; width: 20%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || 5 September 2011<br>(age 14)
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 5
|-
| || '''Notable Works''' || [https://onlinesequencer.net/4805375 Piano Concerto No. 2]<br>[https://onlinesequencer.net/4133697 Sinfonie Nr. 4]<br>[https://onlinesequencer.net/4866018 Sonata in F♯ Major]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''ewrruewc''', Mediocre composer, clarinettist, pianist, and good violinist.
Has written 120+ works.
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 36, Nr. 4 || 98 || Sinfonie Nr. 1 || 4 || C-Dur || WIP || 2025
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || Not Started || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || Temporarily Abandoned || 2024 - 2026
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || Temporarily Abandoned || 2024 - 2026
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 01:04:43 || 2024 - 2025
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2026
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2025
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || Temporarily Abandoned || 2024 - 2026
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || 00:09:24 || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2026
|-
| Op. 68 || 98 || Klaviersonate Nr. 29 || 4 || Cis-Moll || 00:18:15 || 2024
|-
| Op. 69 || 100 || Impromptu Nr. 6 || Nichts || B-Dur || 00:03:25 || 2024 - 2025
|-
| Op. 70, Nr. 1 || 101 || Waltz Nr. 1 || Nichts || G-Moll || 00:02:52 || 2024
|-
| Op. 70, Nr. 2 || 102 || Waltz Nr. 2 || Nichts || F-Dur || 00:03:53 || 2024
|-
| Op. 70, Nr. 3 || 103 || Waltz Nr. 3 || Nichts || Es-Dur || 00:02:15 || 2025
|-
| Op. 70, Nr. 4 || 104 || Waltz Nr. 4 || Nichts || D-Dur || 00:03:43 || 2025
|-
| Op. 70, Nr. 5 || 105 || Waltz Nr. 5 || Nichts || D-Dur || 00:05:35 || 2025
|-
| Op. 70, Nr. 6 || 106 || Waltz Nr. 6 || Nichts || C-Dur || 00:01:21 || 2025
|-
| Op. 70, Nr. 7 || 107 || Waltz Nr. 7 || Nichts || Es-Dur || 00:05:55 || 2025
|-
| Op. 70, Nr. 8 || 108 || Waltz Nr. 8 || Nichts || Aes-Dur || WIP || 2025 - 2026
|-
| Op. 70, Nr. 9 || 109 || Menuetto Nr. 1 || Nichts || Es-Dur || 00:07:25 || 2025
|-
| Op. 70, Nr. 10 || 110 || Waltz Nr. 10 || Nichts || Nichts || Not Started || 2026
|-
| Op. 70, Nr. 11 || 111 || Waltz Nr. 11 || Nichts || Nichts || Not Started || 2026
|-
| Op. 70, Nr. 12 || 112 || Waltz Nr. 12 || Nichts || Nichts || Not Started || 2026
|-
| Op. 71 || 99 || Klaviersonate Nr. 30 || 3 || H-Moll || 00:25:25 || 2024 - 2025
|-
| Op. 72 || 113 || Cantata Nr. 1 || 7 || F-Dur || WIP || 2025
|-
| Op. 73 || 114 || Piano Concerto Nr. 1 || 3 || Es-Dur || WIP || 2025
|-
| Op. 74, Nr. 1 || 115 || Klaviersonate Nr. 31 || WIP || E-Dur || rowspan=2 | Temporarily Abandoned || 2025 - 2026
|-
| Op. 74, Nr. 2 || 116 || Klaviersonate Nr. 32 || 2 || C-Moll || 2025 - 2026
|-
| Op. 75, Nr. 1 || 117 || Chorale Prelude Nr. 1 || Nichts || D-Dur || 00:02:54 || 2025
|-
| Op. 75, Nr. 2 || 118 || Chorale Prelude Nr. 2 || Nichts || Nichts || rowspan=11 | Temporarily Abandoned || 2026
|-
| Op. 75, Nr. 3 || 119 || Chorale Prelude Nr. 3 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 4 || 120 || Chorale Prelude Nr. 4 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 5 || 121 || Chorale Prelude Nr. 5 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 6 || 122 || Chorale Prelude Nr. 6 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 7 || 123 || Chorale Prelude Nr. 7 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 8 || 124 || Chorale Prelude Nr. 8 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 9 || 125 || Chorale Prelude Nr. 9 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 10 || 126 || Chorale Prelude Nr. 10 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 11 || 127 || Chorale Prelude Nr. 11 || Nichts || Nichts || 2026
|-
| Op. 75, Nr. 12 || 128 || Chorale Prelude Nr. 12 || Nichts || Nichts || 2026
|-
| Op. 76 || 129 || Impromptu Nr. 7 || Nichts || Nichts || Temporarily Abandoned || 2025 - 2026
|-
| Op. 77 || 130 || Ballade Nr. 1 || Nichts || D-Moll || 00:12:17 || 2025
|-
| Op. 78 || 131 || Variationen und Sinfonie auf einer Adagio von Andante || Nichts || Es-Dur || WIP || 2025 - 2026
|-
| Op. 79 || 131 || Nocturne Nr. 1 || Nichts || Cis-Dur || 00:07:07 || 2025
|-
| Op. 80 || 114 || Piano Concerto No. 2 || 3 || G Minor || 00:54:27 || 2025
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] (never used) || None
|}

User:Ewrruewc/sandbox

2026-04-23T10:57:47Z

Ewrruewc: blanked

sandbox

2025 Concert (Ewrruewc, Viri)

2026-04-23T10:57:29Z

Ewrruewc: Ewrruewc moved page 2025 Concert (Ewrruewc, Viri) to User:Ewrruewc/sandbox: dont know if this will work

#REDIRECT [[User:Ewrruewc/sandbox]]

User:Ewrruewc/sandbox

2026-04-23T10:57:29Z

Ewrruewc: Ewrruewc moved page 2025 Concert (Ewrruewc, Viri) to User:Ewrruewc/sandbox: dont know if this will work

The ''' 2025 Concert, held by [[User:Ewrruewc|Ewrruewc]] and [[User:Viri|Viri]]''', is a planned concert that will happen in the year 2025. This concert's purpose is to showcase the skill of both composers when it comes to musical composition. The pieces will show the difference in their styles, and their varying experience in certain genres (Ex: Concertos, Sonatas, and Symphonies).

== The Pieces (so far) ==

I.
* [https://onlinesequencer.net/4091676 Sinfonie Nr. 1] - Viri: This piece is a culmination of all he has learned in composition, leading up to this piece. 15 minutes
* Piano Concerto Nr. 1 - Viri: They have not started work on the piece yet. not started
* Klaviersonate Nr. 2 - Viri: This piece is currently being worked on, the first movement is not complete yet. not done
* Fantasy Nr. 1 - Viri: This piece is currently being worked on, the first movement is not complete yet. not done

II.
* Sinfonie Nr. 5 - Ewrruewc: This piece is currently being worked on, the first movement is not complete yet. not done
* Aria for Soprano - Ewrruewc: They have not started work on the piece yet. not started
* Solo Violin Partita Nr. 1 - Ewrruewc: This piece is currently being worked on, the first movement is not complete yet. not done
* [https://onlinesequencer.net/4133697 Sinfonie Nr. 4] - Ewrruewc: This piece is his 4th sinfonie, in four movements, unfortunately, since he is going deaf, the piece is rather loud. 45 minutes

Mixing and Mastering

2026-04-14T23:09:32Z

Ewrruewc: Undo revision 1753 by GeometryDashIsTheGameOfGods (talk) who are you 😭😭😭😭???

Main Page

2026-04-01T22:24:54Z

Ewrruewc: and that

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
**[[Custom Instrument Archive]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
* ...that Timpani is found at F7-G7 of the 2023 Drum Kit?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Rhodes has been pushed to the [https://onlinesequencer.net main site]! (1/20/2026)
*Online Sequencer turned 13 years old! (1/2/2026)
** This means it is finally old enough to use chat.

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9836.html Current Contest] (4/1/26 - 4/21/26)

Theme: "an industrial or urban environment"

Winners will be announced on 4/30/26!

[https://onlinesequencer.net/forum/thread-9763.html Last Contest] (3/1/26 - 3/21/26)

Theme: "Latin American music"

Winning entries:

* [https://onlinesequencer.net/5252875 Azure Bay] by [https://onlinesequencer.net/members/164397 spira.]
* [https://onlinesequencer.net/5260216 Drink a coconut] by [https://onlinesequencer.net/members/101468 SIRSALLAD]
* [https://onlinesequencer.net/4498555 fat furries] by [https://onlinesequencer.net/members/165531 furrymusic]

|-

|}
</div>

Main Page

2026-04-01T22:24:17Z

Ewrruewc: shit i forgot that

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
**[[Custom Instrument Archive]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
* ...that Timpani is found at F7-G7 of the 2023 Drum Kit?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Rhodes has been pushed to the [https://onlinesequencer.net main site]! (1/20/2026)
*Online Sequencer turned 13 years old! (1/2/2026)
** This means it is finally old enough to use chat.

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9836.html Current Contest] (4/1/26 - 4/21/26)

Theme: "an industrial or urban environment"

Winners will be announced on 4/31/26!

[https://onlinesequencer.net/forum/thread-9763.html Last Contest] (3/1/26 - 3/21/26)

Theme: "Latin American music"

Winning entries:

* [https://onlinesequencer.net/5252875 Azure Bay] by [https://onlinesequencer.net/members/164397 spira.]
* [https://onlinesequencer.net/5260216 Drink a coconut] by [https://onlinesequencer.net/members/101468 SIRSALLAD]
* [https://onlinesequencer.net/4498555 fat furries] by [https://onlinesequencer.net/members/165531 furrymusic]

|-

|}
</div>

Main Page

2026-04-01T22:24:00Z

Ewrruewc: updated contest

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
**[[Custom Instrument Archive]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
* ...that Timpani is found at F7-G7 of the 2023 Drum Kit?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Rhodes has been pushed to the [https://onlinesequencer.net main site]! (1/20/2026)
*Online Sequencer turned 13 years old! (1/2/2026)
** This means it is finally old enough to use chat.

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9836.html Current Contest] (4/1/26 - 4/21/26)

Theme: "an industrial or urban environment"

Winners will be announced on 3/31/26!

[https://onlinesequencer.net/forum/thread-9763.html Last Contest] (3/1/26 - 3/21/26)

Theme: "Latin American music"

Winning entries:

* [https://onlinesequencer.net/5252875 Azure Bay] by [https://onlinesequencer.net/members/164397 spira.]
* [https://onlinesequencer.net/5260216 Drink a coconut] by [https://onlinesequencer.net/members/101468 SIRSALLAD]
* [https://onlinesequencer.net/4498555 fat furries] by [https://onlinesequencer.net/members/165531 furrymusic]

|-

|}
</div>

Main Page

2026-03-02T03:17:47Z

Ewrruewc: uh i probably got something wrong idk ill fix it later

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
**[[Custom Instrument Archive]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
* ...that Timpani is found at F7-G7 of the 2023 Drum Kit?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Rhodes has been pushed to the [https://onlinesequencer.net main site]! (1/20/2026)
*Online Sequencer turned 13 years old! (1/2/2026)
** This means it is finally old enough to use chat.

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9763.html Current Contest] (3/1/26 - 3/21/26)

Theme: "Latin American music"

Winners will be announced on 3/31/26!

[https://onlinesequencer.net/forum/thread-9695.html Last Contest] (2/1/26 - 2/21/26)

Theme: "coziness"

Winning entries:

* [https://onlinesequencer.net/5175288 a feeling i dont know] by [https://onlinesequencer.net/members/101468 SIRSALLAD]
* [https://onlinesequencer.net/5203393 rest now] by [https://onlinesequencer.net/members/38540 eepic]
* [https://onlinesequencer.net/5182295 sky shrine] by [https://onlinesequencer.net/members/37515 tringle]

|-

|}
</div>

Custom Instrument Archive

2026-02-14T01:53:23Z

Ewrruewc:

This is a list of many custom instruments and sounds created by the OS community.

== Instruments ==

=== Oboe/Bassoon ===
Creator: [https://onlinesequencer.net/members/12442 Solea]

How to create:

* Select synthesizer or create a clone.
* Set the waveform to sawtooth
* Set the filter to lowpass and set the frequency to somewhere around 1200
* Change the LFO to pitch, and set the intensity to 5
* click on the ASDR envelope and set the attack, decay, and release to 0. Then, set the sustain to around 0.5.

[[File:Screenshot 2026-02-13 164202.png|thumb|269x269px|Synthesizer settings for oboe|none]]
* In advanced options, set Classic Reverb to about the middle of the slider
* Click EQ and set the High and Mid EQs to around 20.
* Turn the volume down to your liking.

[[File:Oboe2.png|thumb|275x275px|Advanced options settings for oboe|none]]

To make the oboe more realistic, use markers to increase the pitch LFO intensity on long sustains.

[https://onlinesequencer.net/4538032 Example Sequence]

=== Oboe 2 ===
Creator: [https://onlinesequencer.net/members/70888 ewrruewc]

How to create:

* Select flute or create a clone.
* Set the reverb to Classic (100%)
* Set the distortion to hornet (100%)
* Lower the mid and high Eqs to -10
* Lower the low Eq to -48

you will need to psuedo sustain for notes longer than a quarter note but it works well for shorter notes

[https://onlinesequencer.net/5160776 Example Sequence]

=== Bagpipes ===
Creator: [https://onlinesequencer.net/members/164397 spira.]

How to create:

* Select synthesizer or create a clone.
* Set the waveform to sawtooth
* Set the filter to lowpass and set the frequency to somewhere around 1200
* Set the resonance all the way up to 10
* Change the LFO to pitch, and set the intensity to 5
* click on the ASDR envelope and set the attack, to 0.60, the decay to 0.90, the sustain to 0.60, and the release to 0

[[File:Bagpipes.png|left|thumb|269x269px|Synthesizer settings for bagpipes]]

* In advanced options, set Large Reverb to around 0.30
* Click distortion and set it to Hornet with an intensity of 0.55
* Click EQ and set the High EQ to around 9
* Set the detune to -1200 (optional)

[[File:Bagpipes2.png|left|thumb|Advanced options for bagpipes]]

Now, make a clone of the bagpipe, and set the detune to about 10-20 cents above the first synth. Layer both on top of each other to get the bagpipe sound.

=== Clarinet ===
Creator: [https://onlinesequencer.net/members/70888 ewrruewc]

How to create:

* Select synthesizer or create a clone.
* Set the waveform to square
* Set the filter to lowpass and set the frequency to somewhere around 2200
* Set the resonance all the way up to 3
* Change the LFO to pitch, and set the intensity anywhere from 2 - 8
* click on the ASDR envelope and set the attack, to 0.10, the decay to 0.30, the sustain to 0.70, and the release to 0

* In advanced options, set Short Reverb to around 0.65
* Click distortion and set it to Hornet with an intensity of 0.25
* Click EQ and set the High EQ to around -35
* Click EQ and set the Mid EQ to around 15

[https://onlinesequencer.net/4772541 Example Sequence]

more instruments will be added soon!

Custom Instrument Archive

2026-02-14T01:13:43Z

Ewrruewc:

Main Page

2026-02-07T19:57:36Z

Ewrruewc: hahaha

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
* ...that Timpani is found at F7-G7 of the 2023 Drum Kit?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] has been banned! (2/7/2026)
*Rhodes has been pushed to the [https://onlinesequencer.net main site]! (1/20/2026)
*Online Sequencer turned 13 years old! (1/2/2026)
** This means it is finally old enough to use chat.

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9695.html Current Contest] (2/1/26 - 2/21/26)

Theme: "coziness"

Winners will be announced on 2/28/26!

[https://onlinesequencer.net/forum/thread-9646.html Last Contest] (1/1/26 - 1/21/26)

Theme: "boss battle"

Winning entries:

* [https://onlinesequencer.net/5110300 DOOM UNLEASHED] by [https://onlinesequencer.net/members/164397 spira.]
* [https://onlinesequencer.net/4314276 doomsday's live orchestra] by [https://onlinesequencer.net/members/59245 toshi]
* [https://onlinesequencer.net/5124990 vote for this song so the words "i had sex with your mother" will appear at first on the contest] by [https://onlinesequencer.net/members/98839 SlimeJime]
** Are you proud of yourself?

|-

|}
</div>

Main Page

2026-02-02T22:56:33Z

Ewrruewc: uh contest update

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
* ...that Timpani is found at F7-G7 of the 2023 Drum Kit?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Rhodes has been pushed to the [https://onlinesequencer.net main site]! (1/20/2026)
*Online Sequencer turned 13 years old! (1/2/2026)
** This means it is finally old enough to use chat.

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9695.html Current Contest] (2/1/26 - 2/21/26)

Theme: "coziness"

Winners will be announced on 2/28/26!

[https://onlinesequencer.net/forum/thread-9646.html Last Contest] (1/1/26 - 1/21/26)

Theme: "boss battle"

Winning entries:

* [https://onlinesequencer.net/5110300 DOOM UNLEASHED] by [https://onlinesequencer.net/members/164397 spira.]
* [https://onlinesequencer.net/4314276 doomsday's live orchestra] by [https://onlinesequencer.net/members/59245 toshi]
* [https://onlinesequencer.net/5124990 vote for this song so the words "i had sex with your mother" will appear at first on the contest] by [https://onlinesequencer.net/members/98839 SlimeJime]
** Are you proud of yourself?

|-

|}
</div>

Main Page

2026-01-20T23:06:08Z

Ewrruewc: news

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
* ...that orchestra hit is found at G#7 of the 2023 drum kit?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Rhodes has been pushed to the [https://onlinesequencer.net main site]! (1/20/2026)
*A subscribe feature has been added to the site, where you can receive notifications every time someone features a sequence!

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9646.html Current Contest] (1/1/26 - 1/21/26)

Theme: "boss battle"

Winners will be announced on 1/31/26!

[https://onlinesequencer.net/forum/thread-9611.html Last Contest] (12/1/25 - 12/21/25)

Theme: "deep sea"

Winning entries:

* [https://onlinesequencer.net/5044448 Deep C] by [https://onlinesequencer.net/members/40281 Typical]
* [https://onlinesequencer.net/5060214 it's not that deep] by [https://onlinesequencer.net/members/77862 yiyb]
* [https://onlinesequencer.net/5050574 Reminiscences of a Sunken Ship] by [https://onlinesequencer.net/members/85355 ScriabinIsntAtonal]

|-

|}
</div>

Main Page

2026-01-06T01:11:30Z

Ewrruewc: this list of did you know will probably expand forever

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
* ...that orchestra hit is found at G#7 of the 2023 drum kit?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Brass has been pushed to the [https://onlinesequencer.net main site]! (3/6/2025)
*A subscribe feature has been added to the site, where you can receive notifications every time someone features a sequence!

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9646.html Current Contest] (1/1/26 - 1/21/26)

Theme: "boss battle"

Winners will be announced on 1/31/26!

[https://onlinesequencer.net/forum/thread-9611.html Last Contest] (12/1/25 - 12/21/25)

Theme: "deep sea"

Winning entries:

* [https://onlinesequencer.net/5044448 Deep C] by [https://onlinesequencer.net/members/40281 Typical]
* [https://onlinesequencer.net/5060214 it's not that deep] by [https://onlinesequencer.net/members/77862 yiyb]
* [https://onlinesequencer.net/5050574 Reminiscences of a Sunken Ship] by [https://onlinesequencer.net/members/85355 ScriabinIsntAtonal]

|-

|}
</div>

User:Ewrruewc

2026-01-06T01:09:27Z

Ewrruewc: update list

Main Page

2026-01-05T20:08:16Z

Ewrruewc: you forgot to change the forum links

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Brass has been pushed to the [https://onlinesequencer.net main site]! (3/6/2025)
*A subscribe feature has been added to the site, where you can receive notifications every time someone features a sequence!

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9646.html Current Contest] (1/1/26 - 1/21/26)

Theme: "boss battle"

Winners will be announced on 1/31/26!

[https://onlinesequencer.net/forum/thread-9611.html Last Contest] (12/1/25 - 12/21/25)

Theme: "deep sea"

Winning entries:

* [https://onlinesequencer.net/5044448 Deep C] by [https://onlinesequencer.net/members/40281 Typical]
* [https://onlinesequencer.net/5060214 it's not that deep] by [https://onlinesequencer.net/members/77862 yiyb]
* [https://onlinesequencer.net/5050574 Reminiscences of a Sunken Ship] by [https://onlinesequencer.net/members/85355 ScriabinIsntAtonal]

|-

|}
</div>

Main Page

2025-12-06T02:55:34Z

Ewrruewc: updated contest

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Brass has been pushed to the [https://onlinesequencer.net main site]! (3/6/2025)
*A subscribe feature has been added to the site, where you can receive notifications every time someone features a sequence!

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9611.html Current Contest] (12/1/25 - 12/21/25)

Theme: "deep sea"

Winners will be announced on 12/31/25!

[https://onlinesequencer.net/forum/thread-9562.html Last Contest] (11/1/25 - 11/21/25)

Theme: "dubstep"

Winning entries:

* [https://onlinesequencer.net/4837402 Deity of Downpour] by [https://onlinesequencer.net/members/40281 Typical]
* [https://onlinesequencer.net/4973689 Motha Naycha] by [https://onlinesequencer.net/members/40281 Typical]
* [https://onlinesequencer.net/4896561 Astatine] by [https://onlinesequencer.net/members/73467 SnakeyWaters]

|-
|
|-
|}
</div>

Console Commands

2025-11-27T17:02:43Z

Ewrruewc: firefox does support extreme detune

[[File:Chrome console.png|alt=The Chrome developer console|thumb|The Chrome developer console]]
'''Console Commands''' extend the functionality of the sequencer beyond what is possible with the UI. To access the console, press Ctrl + Shift + J for Chromium browsers, or Ctrl + Shift + K for Firefox.

To run a command using the console, just type it in and press enter. The console executes JS code, so if you want to go beyond copying/pasting the commands on this page, try [https://developer.mozilla.org/en-US/docs/Learn/JavaScript/First_steps learning some JS].

It's important to keep a few things in mind when using the console:

* Not all of the commands below have undo/redo support. So if you make a change it might not be possible to undo it.
* It's possible to corrupt your sequence using the console. So if you're new to this it's highly recommended that you save your sequence before messing with the console.
* The fundamental time units used by the sequencer are quarter notes, starting at 0. So t=10 would mean the half-beat after the second beat. If you set the grid to 1/4 (the default) the grid lines match this time unit. Markers can only be placed at whole number time steps: t=0, 1, 2, etc.
* Instruments are identified using a number, also known as the ID. The current instrument is stored in the global variable "instrument". So to figure out the number for an instrument, just choose that instrument in the UI, type "instrument", and press enter. You can also just pass "instrument" directly to use the current instrument, eg "setDetune(instrument, 1200)".
* The console can be very noisy, but all the log spam comes from the ads. You can restrict the console to only show logs from the sequencer itself by enabling "Selected context only" in the console settings (see image). This works in Chrome, but there will be similar filters in any browser.
* Since 2023, if the browser questions pasting, you must use the command "allow pasting."
* Alternatively, you can type your command preceded by "javascript:" in the URL box to run it
[[File:Silencing log spam.png|alt=Silencing log spam|thumb|241x241px|To silence log spam, click the console settings button, then enable "Selected context only".]]

== Basic techniques ==
You can change a lot of the sequencer options in the console. This can be useful to go beyond the values usually allowed in the UI.

=== Grid ===
setGrid(value)
Changes the size of the grid. The way the value works is a bit confusing: it's the number of grid lines per time unit (per quarter note). So a 1/4 grid has a value of 1, and a 1/8 grid has a value of 2. You can use this formula to work out the value: value = 0.25 / grid. No undo/redo support.

=== Time signature ===
setTimeSig(timeSig)
Sets the time signature of the sequence. Time signatures on OS are always N/4 (so 3/4, 4/4, 5/4 etc), and the timeSig parameter is just the N. So to set the time signature to 7/4, use "setTimeSig(7)". If you want something more exotic, you'll need to find the closest equivalent in N/4. So 6/8 could be represented as 3/4, and 7/16 could be represented as 7/4 with a faster tempo. No undo/redo support.

=== Detune ===
setDetune(instrument, detune)
Sets the detune of an instrument. Detune values are measured in cents, where each semi-tone is 100 cents. So to detune a full octave up, set the detune to 1200. The usual limit in the UI is -1200 to 1200, but you can use this function to set it to more extreme values. No undo/redo support.

==== hZ to Detune ====
[https://onlinesequencer.net/members/149323 K1ll3rB33] has made a script that detunes it from 440hz to a custom one. Simply replace "frequency" with your desired frequency in hZ.
setDetune(instrument, 1200*Math.log(frequency/440)/Math.log(2))

=== Reverb and distortion ===
setReverbVolume(instrument, volume)
setDistortVolume(instrument, volume)
Sets the reverb volume and distort volume of an instrument. The volume goes from 0 to 1 in the UI, but you can set it to whatever you like using these functions. No undo/redo support.

=== Equalizer ===
setEqHigh(instrument, value)
setEqMid(instrument, value)
setEqLow(instrument, value)
Sets the EQ of an instrument. The values only go from -48 to 48 in the UI, but you can set them to any value using these functions. No undo/redo support.

=== Panning ===
setPan(instrument, value)
Sets the panning of an instrument. The value can go from -1 to 1 in the UI, but this function can set it to anything. No undo/redo support.

=== Volume ===
Instrument Volume:
setInitialInstrumentVolume(instrument, value)
Sets the volume of an instrument. The value can go from -1 to 1 in the UI, but this function can set it to anything. No undo/redo support. Does not update the UI automatically, either update the UI manually or use fillAdvancedInstrumentSettings() and fillSimpleInstrumentSettings()

Sequence Volume:
setInitialSongVolume(value)
Sets the volume of the sequence. The value can go from -1 to 1 in the UI, but this function can set it to anything. No undo/redo support. Does not update the UI.

== Intermediate techniques ==
Most of these functions act on the currently selected notes. Select the notes you want to edit, then run the function in the console. I refer to the sequence of selected notes as the selected segment.

In JS, function parameters can have [https://developer.mozilla.org/en-US/docs/Web/JavaScript/Reference/Functions/Default_parameters default values]. This means if you don't pass a value to that parameter, it will default to some value. A lot of the functions in this section have default parameters. They're written in the documentation like this: "fadeNotes(fadeIn = false)". This means the "fadeIn" parameter defaults to false, so instead of writing "fadeNotes(false)" you can just write "fadeNotes()".

The functions in this section are defined [https://onlinesequencer.net/app/consoleCommands.js here]. If you know some JS, you can read this file to learn how they work and create your own.

=== Fade notes ===
fadeNotesIn()
fadeNotesOut()
Fades the selected notes in or out. FadeNotesIn fades in the segment from 0 volume to the original volume, and fadeNotesOut fades the notes from their original volume to 0.

Includes undo/redo support.

=== Stretch notes ===
stretchNotes(factor)
Stretches or squishes the selected segment by the given factor. A factor of more than 1 will make the selected segment longer, and less than 1 will make it shorter. A factor less than 0 will reverse the segment.

It also works on selected markers, but since marker times are quantized to whole number time steps, they might not be moved to exactly the right spot. Also, reversing markers is complicated, and not all marker sequences are reversible, so negative factors are not supported if you have markers selected.

Includes undo/redo support.

=== Truncate notes ===
truncateNotesAt(time)
Cuts off all the selected notes at the specified time. If a note extends past this time, its length will be truncated. If a note begins after this time it will be deleted.

Includes undo/redo support.

=== Convert to detune markers ===
convertToDetuneMarkers(startNote = 'C5')
Moves all the selected notes to the "startNote", then creates detune markers to detune each note back to its original pitch. For example, if you select a "D5" and then run this with the default startNote, it will move the note to "C5" and create a detune marker to detune it up 200 cents back to "D5". This is useful for making clear melodies on instruments that get muddy when there are a lot of notes.

Due to the limitations of detune markers, this will only work if the melody sticks to whole number time steps (ie lines up with the quarter note grid), and there's only ever one note at a particular time. This function ignores drum kit instruments.

Includes undo/redo support.

=== Convert to Marimba ===
convertToMarimba()
Clones and detunes the "2023 Drum Kit" for each note in the selection, then moves each note to the closest octave of the three "Marimba" notes in the kit. This is useful for using the marimba as its own instrument, and works with multiple notes at a time. This function ignores drum kit instruments.

Includes undo/redo support.

=== Humanize ===
humanize(volumeVariation = 0.2, timeVariation = 0.1)
Randomly alters the volume and start time of all the selected notes by a small amount. This is designed to simulate a human playing the sequence. You can choose your own variation amounts, or just run "humanize()" to use the defaults.

Each note volume is multiplied by a random value between 1 - volumeVariation and 1 + volumeVariation (so 0.8 to 1.2 by default). Each note start time is shifted by a random value between -timeVariation and timeVariation (ie timeVariation is measured in quarter notes).

Note that if you use this function on a note that touches the end of of the last measure of your sequence, there's a 50/50 chance it will be moved to the right (past the end of the sequence) causing your sequence to loop one measure late. You can fix this by manually changing the length of the note to snap it back to the end of that final measure.

Includes undo/redo support.

=== Remix notes ===
remixNotes(chunkSize = 4, avgChunksPerUnmixedSection = 2, avgChunksPerMixedSection = 2, avgMixedSectionsPerUnmixedSection = 1)
Divides the selected segment into chunks and mix them around. This is mainly just for fun but can be handy to generate a breakdown by remixing a drum loop or to reshuffle a melody if you need a bit of inspiration. The chunkSize parameter controls how large the chunks are (in quarter notes), and the other parameters control how the chunks are mixed up.

Includes undo/redo support.

=== Reset all instrument settings ===
resetAllInstrumentSettings()
Resets the settings of all the instruments in the sequence.

'''WARNING:''' No undo/redo support.
removeAllMarkers()
Deletes all the markers in the sequence.

'''WARNING:''' No undo/redo support.

== Advanced techniques ==
You will need to know some JS to use these functions. In particular, we're going to be using a lot of [https://developer.mozilla.org/en-US/docs/Web/JavaScript/Reference/Functions/Arrow_functions#syntax lambda functions], so familiarize yourself with these first. This section also assumes you know basic programming concepts like [https://developer.mozilla.org/en-US/docs/Learn/JavaScript/First_steps/Variables variables], [https://developer.mozilla.org/en-US/docs/Learn/JavaScript/Objects/Basics objects], [https://developer.mozilla.org/en-US/docs/Learn/JavaScript/Building_blocks/Looping_code loops], and [https://developer.mozilla.org/en-US/docs/Learn/JavaScript/Building_blocks/conditionals if statements].

=== Working with the selection ===
Most of the functions in the previous section work on the selected notes and markers. The notes and markers selected in the UI are stored in the "selection" object.
console.log(selection.notes)
console.log(selection.markers)
console.log(selection.getTimeSpan())
You can find all the methods on the selection object [https://onlinesequencer.net/app/selection.js here]. It's sometimes useful to be able to loop over all the notes or markers in the selection, but if you want to modify the notes in the selection, use tweakNotes below.
for (const note of selection.notes) {
console.log(note);
}

for (const marker of selection.marker) {
console.log(marker);
}
You can also add or remove markers and notes from the selection using the selectNote, selectMarker, deselectNote, and deselectMarker methods. However, it's usually easier to use these functions:
selectNotesIf(predicate, addToSelection = false)
selectMarkersIf(predicate, addToSelection = false)
These functions take a predicate (a function that returns true or false) and select all the notes or markers for which the predicate returns true. If addToSelection is true, these notes or markers are added to the existing selection, otherwise, they replace the current selection. Both these functions include undo/redo support.

For example, say you wanted to delete the [https://tiusic.com/thumb.html thumbnail] notes from a sequence, so you can change the thumbnail. Thumbnail notes all have 0 volume, so you can just select all the notes with 0 volume:
selectNotesIf(n => n.volume == 0)
This selects all the thumbnail notes, so now you can delete them as normal (though the UI focus will still be on the console, so you'll have to click on the sequencer before you press delete).

=== Tweaking notes ===
tweakNotes(tweakFunction)
This is probably the single most useful console function. It basically runs tweakFunction on every selected note and has undo/redo support for any changes that tweakFunction makes to the note. It's roughly equivalent to:
for (const note of selection.notes) {
tweakFunction(note);
}
There are a few problems with doing a for loop like this and manually tweaking the notes. For starters, you won't get undo/redo support, but the bigger problem is that there are a few optimizations that OS does based on the note time, instrument, length, or pitch that require extra work if you modify those parameters (namely "song.moveNote()" and "song.updateLoopTime()"). Failure to do so could corrupt your sequence. tweakNotes takes care of this work for you so you don't have to worry about it.

The fields of the note object that you can modify are:
{| class="wikitable"
|+The fields of the Note object
!Name
!Type
!Description
!Can modify?
|-
|instrument
|Integer
|The instrument id, eg 22 for sitar
|Only with tweakNotes
|-
|type
|String
|The pitch or keyboard note, eg 'C5' or 'F#7'
|Only with tweakNotes
|-
|time
|Number
|The time when the note starts in standard time units (quarter notes)
|Only with tweakNotes
|-
|length
|Number
|The length of the note in standard time units
|Only with tweakNotes
|-
|volume
|Number
|The volume of the note, usually from 0 to 1.
|Always
|}
If you console.log the note you'll see other internal fields, but '''DO NOT MODIFY THESE'''.

For example, you can halve the volume like this (eg for a custom delay effect, copy, shift, then tweak the volume):
tweakNotes(n => n.volume *= 0.5)
We can also use tweakNotes to quantize the note times. This code snaps the notes to the nearest grid line (grid is a global variable that contains the grid value, see setGrid above):
tweakNotes(n=>n.time = Math.round(n.time * grid) / grid)
OR if you want to quantize note ''length'', just swap out where it says "n.time" for "n.length":
tweakNotes(n=>n.length = Math.round(n.length * grid) / grid)
Another example is the humanize function, which is built on tweakNotes (in fact, several of the other functions could be rewritten in terms of tweakNotes):
function humanize(volumeVariation = 0.2, timeVariation = 0.1) {
tweakNotes(n => {
n.volume *= 1 + volumeVariation * (2 * Math.random() - 1);
n.time += timeVariation * (2 * Math.random() - 1);
if (n.time < 0) n.time = 0;
});
}
Tweak notes can also be used to generate the lengthening sawtooth effect from [https://onlinesequencer.net/1905746 Ganymede]:
const span = selection.getTimeSpan();
tweakNotes(n => {
n.length *= 0.5 + (n.time - span.min) / (span.max - span.min);
});
A more complicated example is adding swing to your selected notes:
tweakNotes(n => {
const t = n.time / 4;
const intTime = Math.floor(t);
const fracTime = t - intTime;
const newFracTime = fracTime <= 0.5 ? fracTime * 4 / 3 : (fracTime - 0.5) * 3 / 4 + 2 / 3;
n.time = (intTime + newFracTime) * 4;
});

=== Tweaking markers ===
There is currently no marker equivalent of tweakNotes. Markers also have optimizations that mean you can't modify the time, instrument, or setting, without doing extra work. The only things you can safely modify are the value and the blend. If you need to modify the other parameters, you're better off asking the devs to add a tweakMarkers function, rather than trying to modify them and corrupting your sequence.
{| class="wikitable"
|+The fields of the Marker object
!Name
!Type
!Description
!Can modify?
|-
|instrument
|Integer
|The instrument id, eg 19 for xylophone
|Never
|-
|time
|Integer
|The marker's time (quarter notes, must be a whole number)
|Never
|-
|setting
|Integer
|The setting (one of the kMarkerSetting... constants, eg kMarkerSettingBpm)
|Never
|-
|value
|Dynamic
|The marker value. Its type depends on the marker setting.
|Always
|-
|blend
|Boolean
|Whether or not the marker is blended.
|Always
|}
With these limitations, the most useful thing you can do is set the marker value to a value outside the normal range (like we did for the instrument settings above). This snippet sets all the selected detune markers to detune up by 2 octaves:
for (const marker of selection.markers) {
if (marker.setting == kMarkerSettingInstrumentDetune) {
marker.value = 2400;
}
}
If you really need to change the instrument, time, or setting, delete the marker and create a new one (see below for details).

You can also use "song.getAllMarkersAtTime(t)" to get a list of all the markers at a specific time, but selecting them in the UI and then iterating over "selection.markers" is easier.

=== Creating notes ===
You can create Note objects using "new Note", but you also have to manually add them to the song, like so:
song.addNote(new Note(song, type, time, length, instrument, volume))
For example, let's generate a random melody:
for (let i = 0; i < 16; ++i) {
song.addNote(new Note(song, 'CDEFGAB'[Math.floor(Math.random() * 7)] + '4', i, 1, instrument, 1));
}
Whenever you make changes to the notes of a sequence (adding, removing, moving, etc), the changes won't be visible until the sequencer view is updated. You can either run "SequencerView.repaint()", or just move the view a bit (eg scroll). tweakNotes handles this for you, but in this example, you need to do it manually.

Adding notes like this doesn't have undo/redo support.

=== Deleting notes ===
If you have a Note object, you can remove it from the sequence like this:
song.removeNote(note)
This doesn't actually delete the Note object, just removes it from the sequence. In fact you can add it again if you want, using "song.addNote(note)".

Let's take another look at our earlier example, where we wanted to delete the thumbnail notes. Instead of using selectNotesIf and then manually deleting them, we could automatically delete them.
for (const note of song.notes) {
if (note.volume == 0) {
song.removeNote(note);
}
}
Removing notes like this doesn't have undo/redo support.

=== Creating markers ===
addMarker(time, setting, instrument, value, blend)
This function adds a marker to the song. The parameters are the same as in the marker field table above. Returns the newly created Marker object. Includes undo/redo support.

=== Deleting markers ===
removeMarker(marker)
Removes the marker from the sequence. Includes undo/redo support.
[[category:Online Sequencer UI]]

Main Page

2025-11-23T16:05:16Z

Ewrruewc: updated some info about the contests

__NOTOC__
{| class="wikitable" style="width: 100%; border-spacing: 5px; text-align: center; margin-bottom: .3%;"
|
<span style="font-size:125%;">Welcome to the '''{{SITENAME}}''', a wiki for using and navigating [https://onlinesequencer.net/ Online Sequencer].</span>

'''[[Online Sequencer]]''' is a web-based music [[wikipedia:Music_sequencer|sequencer]] that allows users to create music saved online or on their computer and share it with other users.
|}
<div style="display: flex; flex-wrap: wrap; column-gap: .3%;">
<div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; flex-basis: 45%; flex-grow: 1; ">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''About Online Sequencer'''
|}
[[File:OS Logo.png|left|155x155px]]
''[[Online Sequencer]]'' was created by [[Jacob Morgan]] and [http://en.wikipedia.org/wiki/George_P._Burdell George Burdell] in 2013. Users can create a sequence by placing notes in a piano roll-style interface. Over time, various features were added, such as new instruments, effects, and control options for sequences. The community around the site also expanded, adding a forum, chat, and this wiki.

All dates on this wiki are stored in the MM/DD/YYYY or MM/DD/YY; please do not alter this.

[https://onlinesequencer.net/wiki/Special:AllPages?hideredirects=1 All wiki pages]
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Getting Started'''
|}
[[File:Online_sequencer_editor.png|right|thumbnail]]
*[[Features]]
*[[Instruments]]
**[[Instrument Options]]
**[[Equalizer]]
{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Did you know...'''
|}

* ...that [[Robo]] was created on July 4th, 2019?
* ...that there are multiple secret pages?
* ...that [https://onlinesequencer.net/members/30110 adBot] used to convert images into notes?
* ...that [https://onlinesequencer.net/members/1632 LucentTear] has been using Online Sequencer for almost 10 years?!
* ...that the easiest way to make a sequence is to place notes down?
|}
</div><div style="display:inline; margin-left: auto; margin-right: auto; margin-bottom: .3%; min-width:50%; flex-grow: 1;">
{| class="wikitable" style="width: 100%; height: 100%; border-spacing: 5px; margin-top: 0px;"
|-
| style="vertical-align: top;" |
{| class="wikitable" style="width: 100%; border-spacing: 5px; margin-top: 3px;"
! style="color:#FFFFFF; background:#254d88; text-align: left;" |'''Online Sequencer News'''
|}
''News and events regarding Online Sequencer.''

*[https://onlinesequencer.net/members/1632 LucentTear] becomes the first Online Sequencer user to hit 1 million plays! (2/16/2025)
*Brass has been pushed to the [https://onlinesequencer.net main site]! (3/6/2025)
*A subscribe feature has been added to the site, where you can receive notifications every time someone features a sequence!

{| class="wikitable" style="width: 100%; border-spacing: 5px;"
! style="color:#FFFFFF; background:#254d88; text-align: left" ; |'''Community'''
|}
''The community is a great place for users to share their thoughts and music! (But mostly their music.)''
*[https://onlinesequencer.net/forum/ Online Sequencer Forum]
*[https://onlinesequencer.net/discord Discord (via Robo)]
----
[https://onlinesequencer.net/forum/thread-9562.html Current Contest] (11/1/25 - 11/21/25)

Theme: "dubstep"

Winners will be announced on 11/30/25!

[https://onlinesequencer.net/forum/thread-9513.html Last Contest] (10/1/25 - 10/21/25)

Theme: "regarding being alone, whether it's solitude, isolation, loneliness, or another interpretation"

Winning entries:

* [https://onlinesequencer.net/4911886 L'Isolement] by [https://onlinesequencer.net/members/85355 ScriabinIsntAtonal]
* [https://onlinesequencer.net/4574527 Loneliness fills your heart] by [https://onlinesequencer.net/members/44856 Crumb]
* [https://onlinesequencer.net/4927768 Fading Signals] by [https://onlinesequencer.net/members/14215 Lopyt]

|-
|
|-
|}
</div>

User:Ewrruewc

2025-11-23T05:17:23Z

Ewrruewc: not needed

User:Ewrruewc

2025-05-16T20:19:36Z

Ewrruewc: fixed outdated links and rid of unimportant things

{| style="border:1px solid #BBB; float: right; width: 15%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 32 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1 (and also [https://onlinesequencer.net/4618242 being rewritten])), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4133697 Sinfonie Nr. 4] is now completely finished, and is his longest serious piece.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local pre-elementary school to start his school years, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, he eventually got out of this stage just a couple weeks before finishing Sinfonie Nr. 4.
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 36, Nr. 4 || 98 || Sinfonie Nr. 1 || 4 || C-Dur || WIP || 2025
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || Not Started || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || Temporarily Abandoned || 2024 - 2025
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 01:04:43 || 2024 - 2025
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2025
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || 00:09:24 || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 68 || 98 || Klaviersonate Nr. 29 || 4 || Cis-Moll || 00:18:15 || 2024
|-
| Op. 69 || 100 || Impromptu Nr. 6 || Nichts || B-Dur || 00:03:25 || 2024 - 2025
|-
| Op. 70, Nr. 1 || 101 || Waltz Nr. 1 || Nichts || G-Moll || 00:02:52 || 2024
|-
| Op. 70, Nr. 2 || 102 || Waltz Nr. 2 || Nichts || F-Dur || 00:03:53 || 2024
|-
| Op. 70, Nr. 3 || 103 || Waltz Nr. 3 || Nichts || Es-Dur || 00:02:15 || 2025
|-
| Op. 70, Nr. 4 || 104 || Waltz Nr. 4 || Nichts || D-Dur || 00:03:43 || 2025
|-
| Op. 70, Nr. 5 || 105 || Waltz Nr. 5 || Nichts || D-Dur || 00:05:35 || 2025
|-
| Op. 70, Nr. 6 || 106 || Waltz Nr. 6 || Nichts || C-Dur || 00:01:21 || 2025
|-
| Op. 70, Nr. 7 || 107 || Waltz Nr. 7 || Nichts || Es-Dur || 00:05:55 || 2025
|-
| Op. 70, Nr. 8 || 108 || Waltz Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 9 || 109 || Waltz Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 10 || 110 || Waltz Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 11 || 111 || Waltz Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 12 || 112 || Waltz Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 71 || 99 || Klaviersonate Nr. 30 || 3 || H-Moll || 00:25:25 || 2024 - 2025
|-
| Op. 72 || 113 || Cantata Nr. 1 || 7 || F-Dur || WIP || 2025
|-
| Op. 73 || 114 || Piano Concerto Nr. 1 || 3 || Es-Dur || WIP || 2025
|-
| Op. 74, Nr. 1 || 115 || Klaviersonate Nr. 31 || WIP || E-Dur || WIP || 2025
|-
| Op. 74, Nr. 2 || 116 || Klaviersonate Nr. 32 || 2 || Es-Moll || Not Started || 2025
|-
| Op. 75, Nr. 1 || 117 || Chorale Prelude Nr. 1 || Nichts || D-Dur || WIP || 2025
|-
| Op. 75, Nr. 2 || 118 || Chorale Prelude Nr. 2 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 3 || 119 || Chorale Prelude Nr. 3 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 4 || 120 || Chorale Prelude Nr. 4 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 5 || 121 || Chorale Prelude Nr. 5 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 6 || 122 || Chorale Prelude Nr. 6 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 7 || 123 || Chorale Prelude Nr. 7 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 8 || 124 || Chorale Prelude Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 9 || 125 || Chorale Prelude Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 10 || 126 || Chorale Prelude Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 11 || 127 || Chorale Prelude Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 12 || 128 || Chorale Prelude Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 76 || 114 || Piano Concerto Nr. 2 || 3 || C-Moll || WIP || 2025
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] (never used) || None
|}

User:Ewrruewc

2025-04-27T02:05:58Z

Ewrruewc: added thingy and added extra klaviersonate being written

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 32 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (abandoned) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1 (and also being rewritten)), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, he eventually got out of this stage just a couple weeks before finishing Sinfonie Nr. 4.
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 36, Nr. 4 || 98 || Sinfonie Nr. 1 || 4 || C-Dur || WIP || 2025
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || Not Started || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || Temporarily Abandoned || 2024 - 2025
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 01:04:43 || 2024 - 2025
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2025
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || 00:09:24 || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 68 || 98 || Klaviersonate Nr. 29 || 4 || Cis-Moll || 00:18:15 || 2024
|-
| Op. 69 || 100 || Impromptu Nr. 6 || Nichts || B-Dur || 00:03:25 || 2024 - 2025
|-
| Op. 70, Nr. 1 || 101 || Waltz Nr. 1 || Nichts || G-Moll || 00:02:52 || 2024
|-
| Op. 70, Nr. 2 || 102 || Waltz Nr. 2 || Nichts || F-Dur || 00:03:53 || 2024
|-
| Op. 70, Nr. 3 || 103 || Waltz Nr. 3 || Nichts || Es-Dur || 00:02:15 || 2025
|-
| Op. 70, Nr. 4 || 104 || Waltz Nr. 4 || Nichts || D-Dur || 00:03:43 || 2025
|-
| Op. 70, Nr. 5 || 105 || Waltz Nr. 5 || Nichts || D-Dur || 00:05:35 || 2025
|-
| Op. 70, Nr. 6 || 106 || Waltz Nr. 6 || Nichts || C-Dur || 00:01:21 || 2025
|-
| Op. 70, Nr. 7 || 107 || Waltz Nr. 7 || Nichts || Es-Dur || 00:05:55 || 2025
|-
| Op. 70, Nr. 8 || 108 || Waltz Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 9 || 109 || Waltz Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 10 || 110 || Waltz Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 11 || 111 || Waltz Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 12 || 112 || Waltz Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 71 || 99 || Klaviersonate Nr. 30 || 3 || H-Moll || 00:25:25 || 2024 - 2025
|-
| Op. 72 || 113 || Cantata Nr. 1 || 7 || F-Dur || WIP || 2025
|-
| Op. 73 || 114 || Piano Concerto Nr. 1 || 3 || Es-Dur || WIP || 2025
|-
| Op. 74, Nr. 1 || 115 || Klaviersonate Nr. 31 || WIP || E-Dur || WIP || 2025
|-
| Op. 74, Nr. 2 || 116 || Klaviersonate Nr. 32 || 2 || Es-Moll || Not Started || 2025
|-
| Op. 75, Nr. 1 || 117 || Chorale Prelude Nr. 1 || Nichts || D-Dur || WIP || 2025
|-
| Op. 75, Nr. 2 || 118 || Chorale Prelude Nr. 2 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 3 || 119 || Chorale Prelude Nr. 3 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 4 || 120 || Chorale Prelude Nr. 4 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 5 || 121 || Chorale Prelude Nr. 5 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 6 || 122 || Chorale Prelude Nr. 6 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 7 || 123 || Chorale Prelude Nr. 7 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 8 || 124 || Chorale Prelude Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 9 || 125 || Chorale Prelude Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 10 || 126 || Chorale Prelude Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 11 || 127 || Chorale Prelude Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 12 || 128 || Chorale Prelude Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 76 || 114 || Piano Concerto Nr. 2 || 3 || C-Moll || WIP || 2025
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] (never used) || None
|}

File:Ewrruewc.png

2025-04-27T02:04:56Z

Ewrruewc: Ewrruewc uploaded a new version of File:Ewrruewc.png

== Summary ==
Profile picture used for the user page

User:Ewrruewc

2025-04-18T16:25:45Z

Ewrruewc: i wrote more

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 31 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 36, Nr. 4 || 98 || Sinfonie Nr. 1 || 4 || C-Dur || WIP || 2025
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || Not Started || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || Temporarily Abandoned || 2024 - 2025
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 01:04:43 || 2024 - 2025
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2025
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || 00:09:24 || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 68 || 98 || Klaviersonate Nr. 29 || 4 || Cis-Moll || 00:18:15 || 2024
|-
| Op. 69 || 100 || Impromptu Nr. 6 || Nichts || B-Dur || 00:03:25 || 2024 - 2025
|-
| Op. 70, Nr. 1 || 101 || Waltz Nr. 1 || Nichts || G-Moll || 00:02:52 || 2024
|-
| Op. 70, Nr. 2 || 102 || Waltz Nr. 2 || Nichts || F-Dur || 00:03:53 || 2024
|-
| Op. 70, Nr. 3 || 103 || Waltz Nr. 3 || Nichts || Es-Dur || 00:02:15 || 2025
|-
| Op. 70, Nr. 4 || 104 || Waltz Nr. 4 || Nichts || D-Dur || 00:03:43 || 2025
|-
| Op. 70, Nr. 5 || 105 || Waltz Nr. 5 || Nichts || D-Dur || 00:05:35 || 2025
|-
| Op. 70, Nr. 6 || 106 || Waltz Nr. 6 || Nichts || C-Dur || 00:01:21 || 2025
|-
| Op. 70, Nr. 7 || 107 || Waltz Nr. 7 || Nichts || Es-Dur || 00:05:55 || 2025
|-
| Op. 70, Nr. 8 || 108 || Waltz Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 9 || 109 || Waltz Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 10 || 110 || Waltz Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 11 || 111 || Waltz Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 12 || 112 || Waltz Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 71 || 99 || Klaviersonate Nr. 30 || 3 || H-Moll || 00:25:25 || 2024 - 2025
|-
| Op. 72 || 113 || Cantata Nr. 1 || 7 || F-Dur || WIP || 2025
|-
| Op. 73 || 114 || Piano Concerto Nr. 1 || 3 || Es-Dur || WIP || 2025
|-
| Op. 74, Nr. 1 || 115 || Klaviersonate Nr. 31 || WIP || E-Dur || WIP || 2025
|-
| Op. 74, Nr. 2 || 116 || Klaviersonate Nr. 32 || 2 || Es-Moll || Not Started || 2025
|-
| Op. 75, Nr. 1 || 117 || Chorale Prelude Nr. 1 || Nichts || D-Dur || WIP || 2025
|-
| Op. 75, Nr. 2 || 118 || Chorale Prelude Nr. 2 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 3 || 119 || Chorale Prelude Nr. 3 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 4 || 120 || Chorale Prelude Nr. 4 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 5 || 121 || Chorale Prelude Nr. 5 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 6 || 122 || Chorale Prelude Nr. 6 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 7 || 123 || Chorale Prelude Nr. 7 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 8 || 124 || Chorale Prelude Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 9 || 125 || Chorale Prelude Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 10 || 126 || Chorale Prelude Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 11 || 127 || Chorale Prelude Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 12 || 128 || Chorale Prelude Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 76 || 114 || Piano Concerto Nr. 2 || 3 || C-Moll || WIP || 2025
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}

User:Ewrruewc

2025-03-22T21:20:00Z

Ewrruewc: added pc 2, and updated statuses

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 36, Nr. 4 || 98 || Sinfonie Nr. 1 || 4 || C-Dur || WIP || 2025
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || Not Started || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || Temporarily Abandoned || 2024 - 2025
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 01:04:43 || 2024 - 2025
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2025
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || 00:09:24 || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || Temporarily Abandoned || 2024 - 2025
|-
| Op. 68 || 98 || Klaviersonate Nr. 29 || 4 || Cis-Moll || 00:18:15 || 2024
|-
| Op. 69 || 100 || Impromptu Nr. 6 || Nichts || B-Dur || 00:03:25 || 2024 - 2025
|-
| Op. 70, Nr. 1 || 101 || Waltz Nr. 1 || Nichts || G-Moll || 00:02:52 || 2024
|-
| Op. 70, Nr. 2 || 102 || Waltz Nr. 2 || Nichts || F-Dur || 00:03:53 || 2024
|-
| Op. 70, Nr. 3 || 103 || Waltz Nr. 3 || Nichts || Es-Dur || 00:02:15 || 2025
|-
| Op. 70, Nr. 4 || 104 || Waltz Nr. 4 || Nichts || D-Dur || 00:03:43 || 2025
|-
| Op. 70, Nr. 5 || 105 || Waltz Nr. 5 || Nichts || D-Dur || 00:05:35 || 2025
|-
| Op. 70, Nr. 6 || 106 || Waltz Nr. 6 || Nichts || C-Dur || 00:01:21 || 2025
|-
| Op. 70, Nr. 7 || 107 || Waltz Nr. 7 || Nichts || Es-Dur || 00:05:55 || 2025
|-
| Op. 70, Nr. 8 || 108 || Waltz Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 9 || 109 || Waltz Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 10 || 110 || Waltz Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 11 || 111 || Waltz Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 12 || 112 || Waltz Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 71 || 99 || Klaviersonate Nr. 30 || 3 || H-Moll || 00:25:25 || 2024 - 2025
|-
| Op. 72 || 113 || Cantata Nr. 1 || 7 || F-Dur || WIP || 2025
|-
| Op. 73 || 114 || Piano Concerto Nr. 1 || 3 || Es-Dur || WIP || 2025
|-
| Op. 74, Nr. 1 || 115 || Klaviersonate Nr. 31 || WIP || E-Dur || WIP || 2025
|-
| Op. 74, Nr. 2 || 116 || Klaviersonate Nr. 32 || 2 || Es-Moll || Not Started || 2025
|-
| Op. 75, Nr. 1 || 117 || Chorale Prelude Nr. 1 || Nichts || D-Dur || WIP || 2025
|-
| Op. 75, Nr. 2 || 118 || Chorale Prelude Nr. 2 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 3 || 119 || Chorale Prelude Nr. 3 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 4 || 120 || Chorale Prelude Nr. 4 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 5 || 121 || Chorale Prelude Nr. 5 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 6 || 122 || Chorale Prelude Nr. 6 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 7 || 123 || Chorale Prelude Nr. 7 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 8 || 124 || Chorale Prelude Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 9 || 125 || Chorale Prelude Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 10 || 126 || Chorale Prelude Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 11 || 127 || Chorale Prelude Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 12 || 128 || Chorale Prelude Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 76 || 114 || Piano Concerto Nr. 2 || 3 || C-Moll || WIP || 2025
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}

User:Ewrruewc

2025-03-09T15:20:37Z

Ewrruewc: fixed some numbers that i forgot to change

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 36, Nr. 4 || 98 || Sinfonie Nr. 1 || 4 || C-Dur || WIP || 2025
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || Not Started || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || WIP || 2024 - 2025
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || WIP || 2024 - 2025
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 01:04:43 || 2024 - 2025
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || WIP || 2024 - 2025
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2025
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || WIP || 2024 - 2025
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || WIP || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || WIP || 2024 - 2025
|-
| Op. 68 || 98 || Klaviersonate Nr. 29 || 4 || Cis-Moll || 00:18:15 || 2024
|-
| Op. 69 || 100 || Impromptu Nr. 6 || Nichts || B-Dur || 00:03:25 || 2024 - 2025
|-
| Op. 70, Nr. 1 || 101 || Waltz Nr. 1 || Nichts || G-Moll || 00:02:52 || 2024
|-
| Op. 70, Nr. 2 || 102 || Waltz Nr. 2 || Nichts || F-Dur || 00:03:53 || 2024
|-
| Op. 70, Nr. 3 || 103 || Waltz Nr. 3 || Nichts || Es-Dur || 00:02:15 || 2025
|-
| Op. 70, Nr. 4 || 104 || Waltz Nr. 4 || Nichts || D-Dur || 00:03:43 || 2025
|-
| Op. 70, Nr. 5 || 105 || Waltz Nr. 5 || Nichts || D-Dur || 00:05:35 || 2025
|-
| Op. 70, Nr. 6 || 106 || Waltz Nr. 6 || Nichts || C-Dur || 00:01:21 || 2025
|-
| Op. 70, Nr. 7 || 107 || Waltz Nr. 7 || Nichts || Es-Dur || 00:05:55 || 2025
|-
| Op. 70, Nr. 8 || 108 || Waltz Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 9 || 109 || Waltz Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 10 || 110 || Waltz Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 11 || 111 || Waltz Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 70, Nr. 12 || 112 || Waltz Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 71 || 99 || Klaviersonate Nr. 30 || 3 || H-Moll || 00:25:25 || 2024 - 2025
|-
| Op. 72 || 113 || Cantata Nr. 1 || 7 || F-Dur || WIP || 2025
|-
| Op. 73 || 114 || Piano Concerto Nr. 1 || 3 || B-Dur || WIP || 2025
|-
| Op. 74, Nr. 1 || 115 || Klaviersonate Nr. 31 || 3 || E-Dur || Not Started || 2025
|-
| Op. 74, Nr. 2 || 116 || Klaviersonate Nr. 32 || 2 || Es-Moll || Not Started || 2025
|-
| Op. 75, Nr. 1 || 117 || Chorale Prelude Nr. 1 || Nichts || D-Dur || WIP || 2025
|-
| Op. 75, Nr. 2 || 118 || Chorale Prelude Nr. 2 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 3 || 119 || Chorale Prelude Nr. 3 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 4 || 120 || Chorale Prelude Nr. 4 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 5 || 121 || Chorale Prelude Nr. 5 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 6 || 122 || Chorale Prelude Nr. 6 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 7 || 123 || Chorale Prelude Nr. 7 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 8 || 124 || Chorale Prelude Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 9 || 125 || Chorale Prelude Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 10 || 126 || Chorale Prelude Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 11 || 127 || Chorale Prelude Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 12 || 128 || Chorale Prelude Nr. 12 || Nichts || Nichts || Not Started || 2025
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}
Why are you still reading

User:Ewrruewc

2025-03-09T15:19:36Z

Ewrruewc: added up to planned op 75

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 36, Nr. 4 || 98 || Sinfonie Nr. 1 || 4 || C-Dur || WIP || 2025
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || Not Started || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || WIP || 2024 - 2025
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || WIP || 2024 - 2025
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 01:04:43 || 2024 - 2025
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || WIP || 2024 - 2025
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2025
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || WIP || 2024 - 2025
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || WIP || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || WIP || 2024 - 2025
|-
| Op. 68 || 98 || Klaviersonate Nr. 29 || 4 || Cis-Moll || 00:18:15 || 2024
|-
| Op. 69 || 100 || Impromptu Nr. 6 || Nichts || B-Dur || 00:03:25 || 2024 - 2025
|-
| Op. 75, Nr. 1 || 101 || Waltz Nr. 1 || Nichts || G-Moll || 00:02:52 || 2024
|-
| Op. 75, Nr. 2 || 102 || Waltz Nr. 2 || Nichts || F-Dur || 00:03:53 || 2024
|-
| Op. 75, Nr. 3 || 103 || Waltz Nr. 3 || Nichts || Es-Dur || 00:02:15 || 2025
|-
| Op. 75, Nr. 4 || 104 || Waltz Nr. 4 || Nichts || D-Dur || 00:03:43 || 2025
|-
| Op. 75, Nr. 5 || 105 || Waltz Nr. 5 || Nichts || D-Dur || 00:05:35 || 2025
|-
| Op. 75, Nr. 6 || 106 || Waltz Nr. 6 || Nichts || C-Dur || 00:01:21 || 2025
|-
| Op. 75, Nr. 7 || 107 || Waltz Nr. 7 || Nichts || Es-Dur || 00:05:55 || 2025
|-
| Op. 75, Nr. 8 || 108 || Waltz Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 9 || 109 || Waltz Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 10 || 110 || Waltz Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 11 || 111 || Waltz Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 12 || 112 || Waltz Nr. 12 || Nichts || Nichts || Not Started || 2025
|-
| Op. 71 || 99 || Klaviersonate Nr. 30 || 3 || H-Moll || 00:25:25 || 2024 - 2025
|-
| Op. 72 || 113 || Cantata Nr. 1 || 7 || F-Dur || WIP || 2025
|-
| Op. 73 || 114 || Piano Concerto Nr. 1 || 3 || B-Dur || WIP || 2025
|-
| Op. 74, Nr. 1 || 115 || Klaviersonate Nr. 31 || 3 || E-Dur || Not Started || 2025
|-
| Op. 74, Nr. 2 || 116 || Klaviersonate Nr. 32 || 2 || Es-Moll || Not Started || 2025
|-
| Op. 75, Nr. 1 || 117 || Chorale Prelude Nr. 1 || Nichts || D-Dur || WIP || 2025
|-
| Op. 75, Nr. 2 || 118 || Chorale Prelude Nr. 2 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 3 || 119 || Chorale Prelude Nr. 3 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 4 || 120 || Chorale Prelude Nr. 4 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 5 || 121 || Chorale Prelude Nr. 5 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 6 || 122 || Chorale Prelude Nr. 6 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 7 || 123 || Chorale Prelude Nr. 7 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 8 || 124 || Chorale Prelude Nr. 8 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 9 || 125 || Chorale Prelude Nr. 9 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 10 || 126 || Chorale Prelude Nr. 10 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 11 || 127 || Chorale Prelude Nr. 11 || Nichts || Nichts || Not Started || 2025
|-
| Op. 75, Nr. 12 || 128 || Chorale Prelude Nr. 12 || Nichts || Nichts || Not Started || 2025
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}
Why are you still reading

User:Ewrruewc

2025-02-22T02:03:54Z

Ewrruewc: added wip sinfonie 1 because i just noticed it never existed

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 36, Nr. 4 || 98 || Sinfonie Nr. 1 || 4 || C-Dur || WIP || 2025
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || 00:01:51 || 2024
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || 00:05:42 || 2024
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 00:45:45 || 2024
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || WIP || 2024
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2024
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || WIP || 2024
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || WIP || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || WIP || 2024
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}
Why are you still reading

User:Ewrruewc

2024-10-01T22:46:12Z

Ewrruewc: Fixed links

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || 00:01:51 || 2024
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || 00:05:42 || 2024
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 00:45:45 || 2024
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || WIP || 2024
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2024
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || WIP || 2024
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || WIP || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || WIP || 2024
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}
Why are you still reading

User:Ewrruewc

2024-10-01T22:44:31Z

Ewrruewc: Updated Opus list

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Op. ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || 00:01:51 || 2024
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || 00:05:42 || 2024
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 00:45:45 || 2024
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || WIP || 2024
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2024
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || WIP || 2024
|-
| Op. 64 || 93 || [ https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || WIP || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || WIP || 2024
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}
Why are you still reading

User:Ewrruewc

2024-09-16T00:39:49Z

Ewrruewc: i have lost motivation for life

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Op. ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || 00:01:51 || 2024
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || 00:05:42 || 2024
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 00:45:45 || 2024
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star || Nichts || C-Dur || 00:17:4511 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}
Why are you still reading

User:Ewrruewc

2024-09-08T14:37:05Z

Ewrruewc: added a little bit

{| style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}

'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>

== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
Here is where I wrote most of my great works. I wil write this section later as I have already written '''A LOT''' above this.
<br>
<br>
== Music ==
=== Op. ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || 00:01:51 || 2024
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || 00:05:42 || 2024
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 00:45:45 || 2024
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star || Nichts || C-Dur || 00:17:4511 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}
Why are you still reading

File:Ewrruewc.png

2024-09-08T11:27:12Z

Ewrruewc: Profile picture used for the user page

== Summary ==
Profile picture used for the user page

User:Ewrruewc

2024-08-17T17:24:58Z

Ewrruewc: Added more piece information and extended lists

= Biography =
This user is one of the only composers on OS, at least that they know.
This user was born at the very very young age of 0, and from then until a couple years ago shown no interest in music whatsoever, then it happened. They were exposed to the beauty of the baroque era, and later the classical.
The user then proceeded to use this account, which they had previously used to recreate video-game soundtracks, they used it to start writing their own little pieces, no more than 2 minutes, then they decided to take a move that changed the history of the user forever.

== Composition ==
They wrote their first piano sonata. Although the user despises this piano sonata due to it obviously just being Chopin, it was a good first try.
The user's success in piano sonatas did not happen until the 4th, which is the first one over 30 minutes.
The fourth sonata was a breakthrough in the user's understanding of music theory.

=== The Growing Understanding of Music Theory ===
They then proceeded to write the fifth, another long sonata, after a short break in writing pieces over three months, they came back and wrote the sixth. a few weeks go by, and its the school year, the user starts their biggest project yet.
Klaviersonate Nr. 10; the "Symphonic," this piece was the user's first experience writing for orchestra, in the finale, and is over 80 minutes in length, their longest sonata to this day.
They also wrote a couple simple sonatas after that, but it wasn't until the 16th that the hour barrier would be broken again.
But before the 16th, they wrote their 2nd symphony, their 2nd longest piece, at a massive 2 hours in length.

=== Op. 51 ===
After the 16th sonata, the user went on a compositional journey to write 7 (originally 6) piano sonatas in differing styles, the user achieved this, making it their longest piece, at a staggering 2 hours and 53 minutes.
But, the user doesn't want to stop, they want to increase the number of sonatas in Op. 51 from 7 to 8, or even more; they cannot be stopped.

== Students ==
So far, this user has only one student in music theory, another OS user: [[User:Viri|Viri]], check out their works.

=== Concerts ===
This user has a [[2025 Concert (Ewrruewc, Viri)|planned concert for the year 2025]] with his student, Viri. The concert is mainly described on its page, but it is planned to feature eight works.
== tl;dr ==
anyways i may or may not have typed an entire speech above.
tl;dr, user becomes composer and writes long pieces.

= Works =
Ewrruewc is a composer with at the time of writing, 87 works under their catalogue.

This catalogue is a list of all the efforts Ewrruewc put into this website over the past two years, ranging from small pieces such as capriccios, or their larger scale works, such as their Sinfonie Nr. 4

== Op. Numbers ==
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || 00:01:51 || 2024
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || 00:05:42 || 2024
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 00:45:45 || 2024
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star || Nichts || C-Dur || 00:17:4511 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|}

== Stücke ohne Opuszahlen ==

These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}

User:Ewrruewc/sandbox

2024-08-08T12:30:30Z

Ewrruewc: Two out of the three sinfonies are done

User:Ewrruewc

2024-07-30T01:55:55Z

Ewrruewc: added links

= Biography =
This user is one of the only composers on OS, at least that they know.
This user was born at the very very young age of 0, and from then until a couple years ago shown no interest in music whatsoever, then it happened. They were exposed to the beauty of the baroque era, and later the classical.
The user then proceeded to use this account, which they had previously used to recreate video-game soundtracks, they used it to start writing their own little pieces, no more than 2 minutes, then they decided to take a move that changed the history of the user forever.

== The Start of composition ==
They wrote their first piano sonata. Although the user despises this piano sonata due to it obviously just being Chopin, it was a good first try.
The user's success in piano sonatas did not happen until the 4th, which is the first one over 30 minutes.
The fourth sonata was a breakthrough in the user's understanding of music theory.

== The Growing Understanding of Music Theory ==
They then proceeded to write the fifth, another long sonata, after a short break in writing pieces over three months, they came back and wrote the sixth. a few weeks go by, and its the school year, the user starts their biggest project yet.
Klaviersonate Nr. 10; the "Symphonic," this piece was the user's first experience writing for orchestra, in the finale, and is over 80 minutes in length, their longest sonata to this day.
They also wrote a couple simple sonatas after that, but it wasn't until the 16th that the hour barrier would be broken again.
But before the 16th, they wrote their 2nd symphony, their 2nd longest piece, at a massive 2 hours in length.

== Op. 51 ==
After the 16th sonata, the user went on a compositional journey to write 7 (originally 6) piano sonatas in differing styles, the user achieved this, making it their longest piece, at a staggering 2 hours and 53 minutes.
But, the user doesn't want to stop, they want to increase the number of sonatas in Op. 51 from 7 to 8, or even more; they cannot be stopped.

== Students ==
So far, this user has only one student in music theory, another OS user: [[User:Viri|Viri]], check out their works.

== Concerts ==
This user has a [[2025 Concert (Ewrruewc, Viri)|planned concert for the year 2025]] with his student, Viri. The concert is mainly described on its page, but it is planned to feature eight works.
== tl;dr ==
anyways i may or may not have typed an entire speech above.
tl;dr, user becomes composer and writes long pieces.

= Works =
Ewrruewc is a composer with at the time of writing, 87 works under their catalogue.

This catalogue is a list of all the efforts Ewrruewc put into this website over the past two years, ranging from small pieces such as capriccios, or their larger scale works, such as their Sinfonie Nr. 4

== Op. Numbers ==
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || Dec. 2023 - ?. 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || rowspan=12 | 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur
|-
| Op. 55 || 89 || Suite || 3 || D-Dur
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur
|}

== Stücke ohne Opuszahlen ==

These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-06-20T15:38:33Z

Ewrruewc: added links and extra thing in biography

= Biography =
This user is one of the only composers on OS, at least that they know.
This user was born at the very very young age of 0, and from then until a couple years ago shown no interest in music whatsoever, then it happened. They were exposed to the beauty of the baroque era, and later the classical.
The user then proceeded to use this account, which they had previously used to recreate video-game soundtracks, they used it to start writing their own little pieces, no more than 2 minutes, then they decided to take a move that changed the history of the user forever.

== The Start of composition ==
They wrote their first piano sonata. Although the user despises this piano sonata due to it obviously just being Chopin, it was a good first try.
The user's success in piano sonatas did not happen until the 4th, which is the first one over 30 minutes.
The fourth sonata was a breakthrough in the user's understanding of music theory.

== The Growing Understanding of Music Theory ==
They then proceeded to write the fifth, another long sonata, after a short break in writing pieces over three months, they came back and wrote the sixth. a few weeks go by, and its the school year, the user starts their biggest project yet.
Klaviersonate Nr. 10; the "Symphonic," this piece was the user's first experience writing for orchestra, in the finale, and is over 80 minutes in length, their longest sonata to this day.
They also wrote a couple simple sonatas after that, but it wasn't until the 16th that the hour barrier would be broken again.
But before the 16th, they wrote their 2nd symphony, their 2nd longest piece, at a massive 2 hours in length.

== Op. 51 ==
After the 16th sonata, the user went on a compositional journey to write 7 (originally 6) piano sonatas in differing styles, the user achieved this, making it their longest piece, at a staggering 2 hours and 53 minutes.
But, the user doesn't want to stop, they want to increase the number of sonatas in Op. 51 from 7 to 8, or even more; they cannot be stopped.

== Students ==
So far, this user has only one student in music theory, another OS user: [[User:Viri|Viri]], check out their works.

== Concerts ==
This user has a [[2025 Concert (Ewrruewc, Viri)|planned concert for the year 2025]] with his student, Viri. The concert is mainly described on its page, but it is planned to feature eight works.
== tl;dr ==
anyways i may or may not have typed an entire speech above.
tl;dr, user becomes composer and writes long pieces.

= Works =
Ewrruewc is a composer with at the time of writing, 87 works under their catalogue

== Op. Numbers ==
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || Dec. 2023 - ?. 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || rowspan=12 | 2024
|-
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur
|-
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur
|-
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur
|-
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll
|-
| Op. 51, Nr. 8 || 85 || Klaviersonate Nr. 24 || 4 || C-Dur
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur
|-
| Op. 55 || 89 || Suite || 3 || D-Dur
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || D-Moll
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur
|}

== Stücke ohne Opuszahlen ==

These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-06-16T15:12:50Z

Ewrruewc: extended biography, and added more headings

= Biography =
This user is one of the only composers on OS, at least that they know.
This user was born at the very very young age of 0, and from then until a couple years ago shown no interest in music whatsoever, then it happened. They were exposed to the beauty of the baroque era, and later the classical.
The user then proceeded to use this account, which they had previously used to recreate video-game soundtracks, they used it to start writing their own little pieces, no more than 2 minutes, then they decided to take a move that changed the history of the user forever.

== The Start of composition ==
They wrote their first piano sonata. Although the user despises this piano sonata due to it obviously just being Chopin, it was a good first try.
The user's success in piano sonatas did not happen until the 4th, which is the first one over 30 minutes.
The fourth sonata was a breakthrough in the user's understanding of music theory.

== The Growing Understanding of Music Theory ==
They then proceeded to write the fifth, another long sonata, after a short break in writing pieces over three months, they came back and wrote the sixth. a few weeks go by, and its the school year, the user starts their biggest project yet.
Klaviersonate Nr. 10; the "Symphonic," this piece was the user's first experience writing for orchestra, in the finale, and is over 80 minutes in length, their longest sonata to this day.
They also wrote a couple simple sonatas after that, but it wasn't until the 16th that the hour barrier would be broken again.
But before the 16th, they wrote their 2nd symphony, their 2nd longest piece, at a massive 2 hours in length.

== Op. 51 ==
After the 16th sonata, the user went on a compositional journey to write 7 (originally 6) piano sonatas in differing styles, the user achieved this, making it their longest piece, at a staggering 2 hours and 53 minutes.
But, the user doesn't want to stop, they want to increase the number of sonatas in Op. 51 from 7 to 8, or even more; they cannot be stopped.

== Students ==
So far, this user has only one student in music theory, another OS user: [[User:Viri|Viri]], check out their works.

== tl;dr ==
anyways i may or may not have typed an entire speech above.
tl;dr, user becomes composer and writes long pieces.

= Works =
Ewrruewc is a composer with at the time of writing, 87 works under their catalogue

== Op. Numbers ==
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || Dec. 2023 - ?. 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || rowspan=12 | 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur
|-
| Op. 51, Nr. 6 || 81 || Klaviersonate Nr. 22 || 2 || G-Dur
|-
| Op. 51, Nr. 7 || 83 || Klaviersonate Nr. 23 || 3 || C-Moll
|-
| Op. 52 || 80 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll
|-
| Op. 53 || 82 || Allegro || 1 || C-Dur
|-
| Op. 54 || 84 || Sonatina and Fugue || 2 || C-Dur
|-
| Op. 55 || 85 || Suite || 3 || D-Dur
|-
| Op. 56 || 87 || Klaviersonate Nr. 24 || 4 || D-Moll
|-
| Op. 57 || 86 || Sinfonie Nr. 4 || 4 || D-Dur
|}

== Stücke ohne Opuszahlen ==

These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-06-13T17:57:34Z

Ewrruewc: extended catalogue

<h1>Biography</h1>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.
I started writing music at age 10, and here I am years later with around 82 works published on this site, and many more on different applications.

<br>
<h1>Works</h1>
a composer with at the time of writing, 82 works under their catalogue
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || Dec. 2023 - ?. 2024
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || rowspan=12 | 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur
|-
| Op. 51, Nr. 6 || 81 || Klaviersonate Nr. 22 || 2 || G-Dur
|-
| Op. 51, Nr. 7 || 83 || Klaviersonate Nr. 23 || 3 || C-Moll
|-
| Op. 52 || 80 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll
|-
| Op. 53 || 82 || Allegro || 1 || C-Dur
|-
| Op. 54 || 84 || Sonatina and Fugue || 2 || C-Dur
|-
| Op. 55 || 85 || Suite || 3 || D-Dur
|-
| Op. 56 || 87 || Klaviersonate Nr. 24 || 4 || D-Moll
|-
| Op. 57 || 86 || Sinfonie Nr. 4 || 4 || D-Dur
|}
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc/sandbox

2024-06-13T00:07:46Z

Ewrruewc: created page, take this down if it violates any rules, just wanted to see if i could create a page for this

User:Ewrruewc

2024-05-24T00:00:25Z

Ewrruewc:

<h1>Biography</h1>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.
I started writing music at age 10, and here I am years later with around 82 works published on this site, and many more on different applications.

<br>
<h1>Works</h1>
a composer with at the time of writing, 82 works under their catalogue
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 || Sinfonie Nr. 4 || 3 || A-Dur || rowspan=2 | Dec. 2023 - ?. 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur || 2024
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur || 2024
|-
| Op. 51, Nr. 6 || 81 || Klaviersonate Nr. 22 || 2 || G-Dur || 2024
|-
| Op. 51, Nr. 6 || 83 || Klaviersonate Nr. 23 || 4 || C-Moll || 2024
|-
| Op. 52 || 80 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll || 2024
|-
| Op. 53 || 82 || Allegro || 1 || C-Dur || 2024
|-
| Op. 54 || 84 - 108 || 24 Sonatinas and Fugues || 48 || All of them || 2024
|}
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-05-05T16:01:08Z

Ewrruewc: forgot to add extra row

<h1>Biography</h1>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.
I started writing music at age 10, and here I am years later with around 82 works published on this site, and many more on different applications.

<br>
<h1>Works</h1>
a composer with at the time of writing, 82 works under their catalogue
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 || Sinfonie Nr. 4 || 3 || A-Dur || rowspan=2 | Dec. 2023 - ?. 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur || 2024
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur || 2024
|-
| Op. 51, Nr. 6 || 81 || Klaviersonate Nr. 22 || 2 || G-Dur || 2024
|-
| Op. 52 || 80 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll || 2024
|-
| Op. 53 || 82 || Allegro || 1 || C-Dur || 2024
|-
| Op. 54 || 83 - 107 || 24 Sonatinas and Fugues || 48 || All of them || 2024
|}
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-05-05T16:00:37Z

Ewrruewc: added big projcet i just started

<h1>Biography</h1>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.
I started writing music at age 10, and here I am years later with around 82 works published on this site, and many more on different applications.

<br>
<h1>Works</h1>
a composer with at the time of writing, 82 works under their catalogue
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 || Sinfonie Nr. 4 || 3 || A-Dur || rowspan=2 | Dec. 2023 - ?. 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur || 2024
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur || 2024
|-
| Op. 51, Nr. 6 || 81 || Klaviersonate Nr. 22 || 2 || G-Dur || 2024
|-
| Op. 52 || 80 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll || 2024
|-
| Op. 53 || 82 || Allegro || 1 || C-Dur || 2024
|-
| Op. 54 || 83 - 107 || 24 Sonatinas and Fugues || All of them || 2024
|}
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-04-06T10:06:57Z

Ewrruewc: changed opus a bit and extended biography

<h1>Biography</h1>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.
I started writing music at age 10, and here I am years later with around 82 works published on this site, and many more on different applications.

<br>
<h1>Works</h1>
a composer with at the time of writing, 82 works under their catalogue
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 || Sinfonie Nr. 4 || 3 || A-Dur || rowspan=2 | Dec. 2023 - ?. 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur || 2024
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur || 2024
|-
| Op. 51, Nr. 6 || 81 || Klaviersonate Nr. 22 || 2 || G-Dur || 2024
|-
| Op. 52 || 80 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll || 2024
|-
| Op. 53 || 82 || Allegro || 1 || C-Dur || 4/5/2024 - 4/6/2024
|}
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-04-04T19:34:57Z

Ewrruewc: changed things

<h1>Biography</h1>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.

<br>
<h1>Works</h1>
a composer with at the time of writing, 81 works under their catalogue
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 || Sinfonie Nr. 4 || 3 || A-Dur || rowspan=2 | Dec. 2023 - ?. 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur || 2024
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur || 2024
|-
| Op. 51, Nr. 6 || 81 || Klaviersonate Nr. 22 || 2 || G-Dur || 2024
|-
| Op. 52, Nr. 1 || 80 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll || 2024
|}
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-03-18T18:41:34Z

Ewrruewc: k e y

<h1>Biography</h1>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.

<br>
<h1>Works</h1>
a composer with at the time of writing, 81 works under their catalogue
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 || Sinfonie Nr. 4 || 3 || A-Dur || rowspan=2 | Dec. 2023 - ?. 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur || 2024
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur || 2024
|-
| Op. 52, Nr. 1 || 81 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll || 2024
|-
| Op. 52, Nr. 2 || 80 || Zwölf Violinkonzerte für Streichorchester und Continuo || 12: 36 || D-Dur || 2024
|}
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}

User:Ewrruewc

2024-03-18T16:58:16Z

Ewrruewc: changed sonata 17 to correct key as i am restarting that sonata

<h1>Biography</h1>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.

<br>
<h1>Works</h1>
a composer with at the time of writing, 81 works under their catalogue
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
|-
| Op. 47 || 65 || Sinfonie Nr. 4 || 3 || D-Moll || rowspan=2 | Dec. 2023 - ?. 2024
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || 2024
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur || 2024
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur || 2024
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur || 2024
|-
| Op. 52, Nr. 1 || 81 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll || 2024
|-
| Op. 52, Nr. 2 || 80 || Zwölf Violinkonzerte für Streichorchester und Continuo || 12: 36 || D-Dur || 2024
|}
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|-
! SoO Number !! class=unsortable | Piece Name !! class=unsortable | Work Key !! Composed
|-
| SoO. 1 || [https://onlinesequencer.net/3072959 Untitled] || None || 2022
|-
| SoO. 2 || [https://onlinesequencer.net/3216119 Untitled] || None || rowspan=30 | 2023
|-
| SoO. 3 || [https://onlinesequencer.net/3221032 Untitled] || None
|-
| SoO. 4 || [https://onlinesequencer.net/3221421 Untitled] || None
|-
| SoO. 5 || [https://onlinesequencer.net/3242739 Untitled] || D#-Major
|-
| SoO. 6 || [https://onlinesequencer.net/3289744 Untitled] || G#-Major
|-
| SoO. 7 || [https://onlinesequencer.net/3283196 piano thing] || C-Minor
|-
| SoO. 8 || [https://onlinesequencer.net/3332786 Untitled] || None
|-
| SoO. 9 || [https://onlinesequencer.net/3291727 random composition i wrote] || D#-Minor
|-
| SoO. 10 || [https://onlinesequencer.net/3321756 Arpeggi del Vento] || None
|-
| SoO. 11 || [https://onlinesequencer.net/3381542 Untitled] || None
|-
| SoO. 12 || [https://onlinesequencer.net/3514552 Untitled] || None
|-
| SoO. 13 || [https://onlinesequencer.net/3572519 Untitled] || None
|-
| SoO. 14 || [https://onlinesequencer.net/3603137 Untitled] || None
|-
| SoO. 15 || [https://onlinesequencer.net/3635233 Untitled] || None
|-
| SoO. 16 || [https://onlinesequencer.net/3636732 Untitled] || None
|-
| SoO. 17 || [https://onlinesequencer.net/3651320 Untitled] || None
|-
| SoO. 18 || [https://onlinesequencer.net/3660932 Untitled] || None
|-
| SoO. 19 || [https://onlinesequencer.net/3679469 Untitled] || None
|-
| SoO. 20 || [https://onlinesequencer.net/3693897 Untitled] || None
|-
| SoO. 21 || [https://onlinesequencer.net/3702287 Untitled] || None
|-
| SoO. 22 || [https://onlinesequencer.net/3715218 its all my fault] || None
|-
| SoO. 23 || [https://onlinesequencer.net/3716744 Untitled] || None
|-
| SoO. 24 || [https://onlinesequencer.net/3726698 Untitled] || None
|-
| SoO. 25 || [https://onlinesequencer.net/3734983 Untitled] || None
|-
| SoO. 26 || [https://onlinesequencer.net/3747236 Untitled] || None
|-
| SoO. 27 || [https://onlinesequencer.net/3752516 Untitled] || None
|-
| SoO. 28 || [https://onlinesequencer.net/3753703 Untitled] || None
|-
| SoO. 29 || [https://onlinesequencer.net/3755112 Untitled] || None
|-
| SoO. 30 || [https://onlinesequencer.net/3757839 Untitled] || None
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|}