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= Biography = | |||
This user is one of the only composers on OS, at least that they know. | |||
This user was born at the very very young age of 0, and from then until a couple years ago shown no interest in music whatsoever, then it happened. They were exposed to the beauty of the baroque era, and later the classical. | |||
The user then proceeded to use this account, which they had previously used to recreate video-game soundtracks, they used it to start writing their own little pieces, no more than 2 minutes, then they decided to take a move that changed the history of the user forever. | |||
== The Start of composition == | |||
They wrote their first piano sonata. Although the user despises this piano sonata due to it obviously just being Chopin, it was a good first try. | |||
a composer with at the time of writing, | The user's success in piano sonatas did not happen until the 4th, which is the first one over 30 minutes. | ||
The fourth sonata was a breakthrough in the user's understanding of music theory. | |||
== The Growing Understanding of Music Theory == | |||
They then proceeded to write the fifth, another long sonata, after a short break in writing pieces over three months, they came back and wrote the sixth. a few weeks go by, and its the school year, the user starts their biggest project yet. | |||
Klaviersonate Nr. 10; the "Symphonic," this piece was the user's first experience writing for orchestra, in the finale, and is over 80 minutes in length, their longest sonata to this day. | |||
They also wrote a couple simple sonatas after that, but it wasn't until the 16th that the hour barrier would be broken again. | |||
But before the 16th, they wrote their 2nd symphony, their 2nd longest piece, at a massive 2 hours in length. | |||
== Op. 51 == | |||
After the 16th sonata, the user went on a compositional journey to write 7 (originally 6) piano sonatas in differing styles, the user achieved this, making it their longest piece, at a staggering 2 hours and 53 minutes. | |||
But, the user doesn't want to stop, they want to increase the number of sonatas in Op. 51 from 7 to 8, or even more; they cannot be stopped. | |||
== Students == | |||
So far, this user has only one student in music theory, another OS user: [[User:Viri|Viri]], check out their works. | |||
== Concerts == | |||
This user has a [[2025 Concert (Ewrruewc, Viri)|planned concert for the year 2025]] with his student, Viri. The concert is mainly described on its page, but it is planned to feature eight works. | |||
== tl;dr == | |||
anyways i may or may not have typed an entire speech above. | |||
tl;dr, user becomes composer and writes long pieces. | |||
= Works = | |||
Ewrruewc is a composer with at the time of writing, 87 works under their catalogue | |||
== Op. Numbers == | |||
{| class="wikitable sortable mw-collapsible mw-collapsed" | {| class="wikitable sortable mw-collapsible mw-collapsed" | ||
|+ Works | |+ Works | ||
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| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur | | Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur | ||
|- | |- | ||
| Op. 47 || 65 || | | Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024 | ||
|- | |- | ||
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll | | Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || Dec. 2023 - ?. 2024 | ||
|- | |- | ||
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24]) | | Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24]) | ||
|- | |- | ||
| Op. 50 || 70 || Violin Concerto Nr. 1 || | | Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 2024 | ||
|- | |||
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || Dec. 31, 2023 | |||
|- | |- | ||
| Op. 51, Nr. | | Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || rowspan=12 | 2024 | ||
|- | |- | ||
| Op. 51, Nr. | | Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur | ||
|- | |- | ||
| Op. 51, Nr. | | Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur | ||
|- | |- | ||
| Op. 51, Nr. | | Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur | ||
|- | |- | ||
| Op. 51, Nr. | | Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur | ||
|- | |- | ||
| Op. 51, Nr. | | Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll | ||
|- | |- | ||
| Op. | | Op. 51, Nr. 8 || 85 || Klaviersonate Nr. 24 || 4 || C-Dur | ||
|- | |||
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll | |||
|- | |||
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur | |||
|- | |||
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur | |||
|- | |||
| Op. 55 || 89 || Suite || 3 || D-Dur | |||
|- | |||
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || D-Moll | |||
|- | |||
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur | |||
|} | |} | ||
== Stücke ohne Opuszahlen == | |||
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small> | These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small> | ||
{| class="wikitable sortable mw-collapsible mw-collapsed" | {| class="wikitable sortable mw-collapsible mw-collapsed" |
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