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{|  style="border:1px solid #BBB; float: right; width: 25%; height: 25%;"
| style="color: white;" | e || style="font-size: 150%;" colspan="2" align="center" | '''Ewrruewc'''
|-
| || colspan="2" align="center" | <gallery>Ewrruewc.png</gallery>
|-
| || colspan="2" align="center" | ''[https://onlinesequencer.net/members/70888 Ewrruewc's profile picture ]'' (2024)
|-
| || '''Born''' || Gabriel Stidham
|-
| || || 5 September 2011<br>(age 13)<br>[https://en.wikipedia.org/wiki/San_Antonio San Antonio]
|-
| || ||
|-
| || '''Occupation''' || Composer
|-
| || '''Years Active''' || 4
|-
| || '''Notable Works''' || [https://onlinesequencer.net/playlist/33991 The 26 Klaviersonates]
|-
| || colspan="2" align="center" | '''Signature'''
|-
| || colspan="2" align="center" style="font-size: 87%;" | (none)
|}


<h1>Biography</h1>
'''Ewrruewc''' (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.<br>
I was born at the young age of 0, and started playing violin at age 8, and started playing piano at age 11.
His pieces are written trying to mimic the [https://en.wikipedia.org/wiki/Classical_period_(music) classical style], although not fully, he still strictly follows most of the forms (ex: [https://en.wikipedia.org/wiki/Sonata_form sonata form]). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as [https://en.wikipedia.org/wiki/Ludwig_van_Beethoven Beethoven], [https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart Mozart], [https://en.wikipedia.org/wiki/Johann_Sebastian_Bach Bach], and [https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin Chopin]; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because<br>
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.
<br>
<br>
Born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's [https://en.wikipedia.org/wiki/Fantaisie-Impromptu Fantaisie-Impromptu] (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata [https://onlinesequencer.net/3154839 "Op. 1"] (he very much despises this sonata).
<br>
<br>
His first major work, [https://onlinesequencer.net/3466557 Piano Sonata No. 4, nicknamed "False Possibility"], was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, nicknamed "Symphonic"], was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. ''"I just can't possibly hear what people say half of the time."'' He has no romantic interest, unlike [https://onlinesequencer.net/members/119715 his student], who started writing significantly later than Ewrruewc himself.
<br>
<br>
After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, nicknamed "Großartig"] (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see [[2025 Concert (Ewrruewc, Viri)|main article]]), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.
<br>
<br>


== Life and Career ==
=== Early life and education ===
Ewrruewc was born in [https://en.wikipedia.org/wiki/San_Antonio San Antonio], to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of [https://en.wikipedia.org/wiki/Abilene,_Texas Abilene], for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.
<br>
=== 2015 - 2018: Abilene ===
Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten.
He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.
<br>
<br>
They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:
<br>
# Dad goes to work
# School time
# Return home
# Eat
# Sleep
<br>
And that schedule repeated for about five years, with visits to San Antonio, [https://en.wikipedia.org/wiki/Corpus_Christi,_Texas Corpus Christi], and [https://en.wikipedia.org/wiki/Portland,_Texas Portland] to visit family.
<br>
=== 2018 - Current: San Antonio ===
==== 2018 - 2020: Pre-Pandemic ====
After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see [https://en.wikipedia.org/wiki/Abominable_(2019_film) a movie that had just come out], being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials '''that didn't work'''. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby [https://en.wikipedia.org/wiki/USS_Lexington_(CV-16)#USS_Lexington_Museum Aircraft Carrier] that had been converted into a museum about 20 years prior. That carrier is actually the oldest ''remaining'' fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released [https://en.wikipedia.org/wiki/Midway_(2019_film) Midway (2019)] (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.
<br>
==== 2020 - 2022: Pandemic ====
During the famed [https://en.wikipedia.org/wiki/COVID-19_pandemic COVID-19 Pandemic], Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then '''MY ENTIRE''' <small>(immediate)</small> '''FAMILY GETS COVID''', worst present ever.
<br>
==== 2022 - Current: Music ====
By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.
<br>
===== Late 2023 =====
Around this time, Ewrruewc had just written his longest sonata to this day, [https://onlinesequencer.net/3570144 the "Symphonic"]. As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
<br>
<br>
<h1>Works</h1>
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?
a composer with at the time of writing, 69 works under their catalogue
===== 2024 and immense sadness =====
The signs of [https://www.winsteadsfuneralhome.com/obituaries/pedro-ramirez his dear great-grandfather's] health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. '''But he didn't live that long.''' The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, ''"I just can't possibly hear what people say half of the time."'' As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4.
(i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)
<br>
<br>
== Music ==
=== Opus ===
This is an almost up-to-date list of my works that I try my best to keep current.
{| class="wikitable sortable mw-collapsible mw-collapsed"
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Works
|+ Works
|-
|-
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Year Composed
! Opus Number !! Actual Work Number !! class=unsortable | Work Name !! Movements (if any) !! class=unsortable | Work Key !! Length (hh:mm:ss) !! Year Composed
|-
|-
! colspan=6| Works With English Titles (Op. 1 - Op. 8, No. 1)
! colspan=7| Works With English Titles (Op. 1 - Op. 8, No. 1)
|-
|-
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || rowspan=2 | 2022
| Op. 1 || 1 || [https://onlinesequencer.net/3154839 Piano Sonata No. 1] || 3 || C#-Minor || 00:12:09 || 2022
|-
|-
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor
| Op. 2 || 2 || [https://onlinesequencer.net/3258860 Piano Sonata No. 2] || 3 || C#-Minor || 00:18:47 || 2022
|-
|-
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || rowspan=9 | 2023
| Op. 3 || 3 || [https://onlinesequencer.net/3330792 Piano Sonata No. 3] || 3 || C#-Minor || 00:26:53 || 2023
|-
|-
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor
| Op. 4, No. 1 || 4 || [https://onlinesequencer.net/3340531 Étude No. 1, "Slow Climb"] || None || A#-Minor || 00:03:09 || 2023
|-
|-
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major
| Op. 4, No. 2 || 5 || [https://onlinesequencer.net/3342503 Étude No. 2, "Ocean"] || None || F-Major || 00:02:27 || 2023
|-
|-
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor
| Op. 4, No. 3 || 6 || [https://onlinesequencer.net/3356923 Étude No. 3, "Slow Climb Variation"] || None || C-Minor || 00:03:29 || 2023
|-
|-
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major
| Op. 4, No. 4 || 7 || [https://onlinesequencer.net/3380223 Étude No. 4, "Chaos"] || None || A-Major || 00:02:56 || 2023
|-
|-
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None
| Op. 5 || 8 || [https://onlinesequencer.net/3383696 Fugue No. 1] || None || None || 00:05:54 || 2023
|-
|-
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None
| Op. 6 || 9 || [https://onlinesequencer.net/3404759 Fugue No. 2] || None || None || 00:10:02 || 2023
|-
|-
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major
| Op. 7 || 10 || [https://onlinesequencer.net/3466557 Piano Sonata No. 4, "False Possibility"] || 4 || G#-Major || 00:39:33 || 2023
|-
|-
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major
| Op. 8, No. 1 || 11 || [https://onlinesequencer.net/3774169 Sonatina No. 1] || 3 || E Major || 00:04:06 || 2023
|-
|-
! colspan=6| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
! colspan=7| Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
|-
|-
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || rowspan=49 | 2023
| Op. 8, No. 2 || 12 || [https://onlinesequencer.net/3469429 Klavierkomposition für die Musik der harmonischen Dissonanz] || Nichts || C-Moll || 00:07:12 || 2023
|-
|-
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur
| Op. 9 || 15 || [https://onlinesequencer.net/3476156 Ein einfaches Prälüdium und eine Fuge] || Nichts || D-Dur || 00:03:49 || 2023
|-
|-
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll
| Op. 10 || 13 || [https://onlinesequencer.net/3477566 Ein einfaches Kanon und eine Fuge] || Nichts || D-Moll || 00:03:18 || 2023
|-
|-
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts
| Op. 11 || 14 || [https://onlinesequencer.net/3478929 Nichts] || Nichts || Nichts || 00:02:34 || 2023
|-
|-
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts
| Op. 12 || 16 || [https://onlinesequencer.net/3480658 Eine etwas schwierige Fuge] || Nichts || Nichts || 00:02:45 || 2023
|-
|-
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll
| Op. 13 || 17 || [https://onlinesequencer.net/3490818 Klaviersonate Nr. 5] || 4 || Gis-Moll || 00:35:30 || 2023
|-
|-
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts
| Op. 14 || 18 || [https://onlinesequencer.net/3488617 Nichts] || Nichts || Nichts || 00:00:48 || 2023
|-
|-
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll
| Op. 15 || 19 || [https://onlinesequencer.net/3490007 Wut über eine verlorene Notenseite] || Nichts || Cis-Moll || 00:03:56 || 2023
|-
|-
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts
| Op. 16 || 20 || [https://onlinesequencer.net/3490487 Ein einfacher Doppelkanon] || Nichts || Nichts || 00:01:07 || 2023
|-
|-
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur
| Op. 17 || 21 || [https://onlinesequencer.net/3490768 Impromptu Nr. 1] || Nichts || C-Dur || 00:02:14 || 2023
|-
|-
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts
| Op. 18 || 22 || [https://onlinesequencer.net/3491877 Nichts] || Nichts || Nichts || 00:00:51 || 2023
|-
|-
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts
| Op. 19 || 22 || [https://onlinesequencer.net/3492362 Cappricio der Dummheit] || Nichts || Nichts || 00:03:30 || 2023
|-
|-
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts
| Op. 20 || 23 || [https://onlinesequencer.net/3493500 Fuge Nr. 3] || Nichts || Nichts || 00:01:54 || 2023
|-
|-
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur
| Op. 21 || 24 || [https://onlinesequencer.net/3494173 Eine Einfache Komposition für das Cembalo] || Nichts || D-Dur || 00:01:25 || 2023
|-
|-
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts
| Op. 22 || 25 || [https://onlinesequencer.net/3495496 Eine kurze Komposition für das Cembalo] || Nichts || Nichts || 00:00:39 || 2023
|-
|-
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M
| Op. 23 || 26 || [https://onlinesequencer.net/3497771 Impromptu Nr. 2] || Nichts || C-D/M || 00:02:26 || 2023
|-
|-
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nicht || Cis-Moll
| Op. 24 || 27 || [https://onlinesequencer.net/3498661 Impromptu Nr. 3 für ein Klavierduett] || Nichts || Cis-Moll || 00:02:45 || 2023
|-
|-
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts
| Op. 25 || 28 || [https://onlinesequencer.net/3498920 Nichts] || Nichts || Nichts || 00:01:12 || 2023
|-
|-
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur
| Op. 26 || 29 || [https://onlinesequencer.net/3500705 Klaviersonate Nr. 6] || 2 || H-Dur || 00:18:10 || 2023
|-
|-
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts
| Op. 27 || 30 || [https://onlinesequencer.net/3502093 Nichts] || Nichts || Nichts || 00:00:31 || 2023
|-
|-
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll
| Op. 28 || 31 || [https://onlinesequencer.net/3506505 Fuge Nr. 4] || Nichts || Cis-Moll || 00:08:18 || 2023
|-
|-
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur
| Op. 29 || 32 || [https://onlinesequencer.net/3509802 Impromptu Nr. 4] || Nichts || Ais-Dur || 00:04:01 || 2023
|-
|-
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts
| Op. 30 || 33 || [https://onlinesequencer.net/3511118 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio] || Nichts || Nichts || 00:01:54 || 2023
|-
|-
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur
| Op. 31 || 34 || [https://onlinesequencer.net/3511478 Impromptu Nr. 5] || Nichts || Dis-Dur || 00:00:43 || 2023
|-
|-
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts
| Op. 32 || 35 || [https://onlinesequencer.net/3512160 Ein langer Rasch für den Hammerklavier] || Nichts || Nichts || 00:10:50 || 2023
|-
|-
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts
| Op. 33 || 36 || [https://onlinesequencer.net/3512544 Nichts] || Nichts || Nichts || 00:02:21 || 2023
|-
|-
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts
| Op. 34 || 37 || [https://onlinesequencer.net/3513343 Nichts] || Nichts || Nichts || 00:01:35 || 2023
|-
|-
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nicht || Nicht
| Op. 35 || 38 || [https://onlinesequencer.net/3523020 Ein langes Fugato für ein Klavierduett] || Nichts || Nichts || 00:02:21 || 2023
|-
|-
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll
| Op. 36, Nr. 1 || 39 || [https://onlinesequencer.net/3529094 Klaviersonate Nr. 7] || 4 || Cis-Moll || 00:45:39 || 2023
|-
|-
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur
| Op. 36, Nr. 2 || 40 || [https://onlinesequencer.net/3542326 Klaviersonate Nr. 8] || 3 || G-Dur || 00:21:24 || 2023
|-
|-
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur
| Op. 36, Nr. 3 || 41 || [https://onlinesequencer.net/3548243 Klaviersonate Nr. 9] || 2 || F-Dur || 00:17:11 || 2023
|-
|-
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur
| Op. 37, Nr. 1 || 42 || [https://onlinesequencer.net/3570144 Klaviersonate Nr. 10, "Symphonic"] || 4 || D-Dur || 01:22:23 || 2023
|-
|-
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll
| Op. 37, Nr. 2 || 43 || [https://onlinesequencer.net/3571717 Klaviersonate Nr. 11, "Fugal"] || 2 || Cis-Moll || 00:09:00 || 2023
|-
|-
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur
| Op. 37, Nr. 3 || 44 || [https://onlinesequencer.net/3587807 Étude Nr. 5] || Nichts || Cis-Dur || 00:03:04 || 2023
|-
|-
| Op. 37, Nr. 4 || 45 || Streichquartett Nr. 2 || 3 || C-Dur
| Op. 37, Nr. 4 || 45 || [https://onlinesequencer.net/3600345 Streichquartett Nr. 2] || 3 || C-Dur || 00:15:02 || 2023
|-
|-
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur
| Op. 38, Nr. 1 || 46 || [https://onlinesequencer.net/3668203 Sinfonie Nr. 2, "Großartig"] || 4 || C-Dur || 02:01:41 || 2023
|-
|-
| Op. 38, Nr. 2 || 47 || 3 Stücke Für Streichquartett || 4 || C-Dur
| Op. 38, Nr. 2 || 47 || [https://onlinesequencer.net/3673334 3 Stücke Für Streichquartett] || 3 || C-Dur || 00:11:18 || 2023
|-
|-
| Op. 38, Nr. 3 || 48 || Sinfonie Nr. 3 || 1 || G-Dur
| Op. 38, Nr. 3 || 48 || [https://onlinesequencer.net/3711534 Sinfonie Nr. 3] || 1 || G-Dur || 00:05:37 || 2023
|-
|-
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts
| Op. 39 || 49 || [https://onlinesequencer.net/3636086 Nichts] || Nichts || Nichts || 00:01:27 || 2023
|-
|-
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur
| Op. 40, Nr. 1 || 50 || [https://onlinesequencer.net/3646265 Klaviersonate Nr. 12, "Für Einsteiger"] || 3 || C-Dur || 00:13:46 || 2023
|-
|-
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur
| Op. 40, Nr. 2 || 51 || [https://onlinesequencer.net/3651320 Klaviersonate Nr. 13] || 4 || Cis-Dur || 00:04:36 || 2024
|-
|-
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts] || C-Dur
| Op. 40, Nr. 3 || 52 || [https://onlinesequencer.net/3677329 8 Variationen von Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:04:54 || 2023
|-
|-
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur
| Op. 41, Nr. 1 || 53 || [https://onlinesequencer.net/3646318 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio] || Nichts || E-Dur || 00:02:42 || 2023
|-
|-
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll
| Op. 41, Nr. 2 || 66 || [https://onlinesequencer.net/3711850 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette] || Nichts || B-Moll || 00:08:32 || 2023
|-
|-
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 20 || Nichts
| Op. 42 || 59 || [https://onlinesequencer.net/3684395 Die Kunst Der Fuge] || 13 || Nichts || 00:20:00 || 2023
|-
|-
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur
| Op. 43 || 60 || [https://onlinesequencer.net/3774182 Klaviersonate Nr. 14] || 3 || G-Dur || 00:03:09 || 2023
|-
|-
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll
| Op. 44 || 61 || [https://onlinesequencer.net/3549490 Klaviersonate Nr. 15] || 6 || A-Moll || 00:07:05 || 2024
|-
|-
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur
| Op. 45 || 63 || [https://onlinesequencer.net/3753387 Feiertagslied, so eine Art] || Nichts || G-Dur || 00:03:50 || 2023
|-
|-
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur
| Op. 46 || 62 || [https://onlinesequencer.net/3772427 Grosso Concerto Nr. 1] || 5 || D-Dur || 00:22:48 || 2023
|-
|-
| Op. 47 || 65 || Sinfonie Nr. 4 || 3 || D-Moll || rowspan=2 | Dec. 2023 - ?. 2024
| Op. 47 || 65 (actually 87) || Sonatina || 2 || A-Dur || 2024
|-
|-
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll
| Op. 48 || 64 || [https://onlinesequencer.net/3739944 Requiem] || 8 || E-Moll || 00:07:35 || 2024
|-
|-
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24])
| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || 01:02:54 || 2023
|-
|-
| Op. 50 || 70 || Violin Concerto Nr. 1 || 6 || Bb-Dur || 2024
| Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 00:21:04 || 2024
|-
|-
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 1 || C-Moll || Dec. 31, 2023
| Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || 00:23:15 || 2023
|-
|-
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || 2024
| Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || 00:30:41 || 2024
|-
|-
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || G-Dur || 2024
| Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur || 00:37:57 || 2024
|-
|-
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || C-Dur || 2024
| Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur || 00:20:09 || 2024
|-
|-
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || A-Dur || 2024
| Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur || 00:17:54 || 2024
|-
|-
| Op. 52, Nr. 1 || 81 || Double Harpsichord Concerto Nr. 1 || 1 || D-Moll || 2024
| Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur || 00:07:55 || 2024
| Op. 52, Nr. 2 || 80 || Zwölf Violinkonzerte für Streichorchester und Continuo || 12: 36 || D-Dur || 2024
|-
| Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll || 00:34:56 || 2024
|-
| Op. 51, Nr. 8 || 85 || [https://onlinesequencer.net/4095982 Klaviersonate Nr. 24] || 4 || C-Dur || 00:10:41 || 2024
|-
| Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll || 00:10:19 || 2024
|-
| Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur || 00:05:56 || 2024
|-
| Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur || 00:07:42 || 2024
|-
| Op. 55 || 89 || Suite || 3 || D-Dur || 00:01:51 || 2024
|-
| Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || F-Moll || 00:05:42 || 2024
|-
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur || 00:45:45 || 2024
|-
| Op. 58 || 90 || [https://onlinesequencer.net/3851939 22 variations on Twinkle Twinkle Little Star] || Nichts || C-Dur || 00:17:11 || 2023
|-
| Op. 59 || 91 || [https://onlinesequencer.net/4088915 12 Variations on a theme by Viri] || Nichts || A-Dur || 00:05:52 || 2024
|-
| Op. 60 || 96 || Sinfonie Nr. 5 || 4 || Es-Dur || WIP || 2024
|-
| Op. 61 || 97 || Soprano Aria || Nichts || C-Dur || Not Started || 2024
|-
| Op. 62 || 92 || [https://onlinesequencer.net/4147850 Klaviersonate Nr. 26] || 4 || C-Dur || 00:36:03 || 2024
|-
| Op. 63 || 94 || Klaviersonate Nr. 27 || 3 || F-Dur || WIP || 2024
|-
| Op. 64 || 93 || [https://onlinesequencer.net/4197930 Variations and Fugato on a Musette by] [https://onlinesequencer.net/members/130386 Andante] || Nicht || A-Dur || WIP || 2024
|-
| Op. 65 || 95 || Klaviersonate Nr. 28 || 4 || Es-Dur || WIP || 2024
|}
|}
<br>
=== SoO. ===
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
These <small>(above)</small> are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. <small>I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.</small>
(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)
{| class="wikitable sortable mw-collapsible mw-collapsed"
{| class="wikitable sortable mw-collapsible mw-collapsed"
|+ Stücke ohne Opuszahlen
|+ Stücke ohne Opuszahlen
Line 223: Line 332:
|-
|-
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
| SoO. 31 || [https://onlinesequencer.net/3760918 Untitled] || None
|-
| SoO. 32 || [https://onlinesequencer.net/4135322 coda for 4th sinfonie, mvt, 4] || None
|}
|}
Why are you still reading

Latest revision as of 14:46, 1 October 2024

e Ewrruewc
  • Ewrruewc.png
Ewrruewc's profile picture (2024)
Born Gabriel Stidham
5 September 2011
(age 13)
San Antonio
Occupation Composer
Years Active 4
Notable Works The 26 Klaviersonates
Signature
(none)

Ewrruewc (born 5 September 2011) is an American composer, pianist, and violinist. He is a relatively young composer, being only 13 at the time of writing.
His pieces are written trying to mimic the classical style, although not fully, he still strictly follows most of the forms (ex: sonata form). His early works, which range from 2020 all the way into 2023, are typically his least favorite pieces, as his more recently, more developed pieces are ones which he thinks higher of. His main inspirations are well known composers, such as Beethoven, Mozart, Bach, and Chopin; this led to the current period of works, which are more refined and show a much greater use of restraint compared to earlier pieces. Much like Beethoven, he is growing increasingly deaf because
of rapid hearing loss. This has severely impacted his ability to write pieces, resulting in them being much louder so he has the ability to hear what he writes.

Born in San Antonio, Ewrruewc did not really display any musical interest or talent until the age of 6, when he started playing the violin. He was initially taught with no breaks by his grandparents, slowly transitioning into traditional lessons. Around 4 years later, being taught at a local music school, he wrote his first piece, a simple piano sonata based of off Chopin's Fantaisie-Impromptu (which did not recieve an opus number until a year later). He was more known as a violinist than a composer, as he was good at the instrument compared to his peers, becoming known by most of his school by the end of each year. Around a year later, he started writing again, but with opus numbers, assigning that early piano sonata "Op. 1" (he very much despises this sonata).

His first major work, Piano Sonata No. 4, nicknamed "False Possibility", was written in the summer of 2023, taking approximately three weeks to write, and his first major orchestral work, Klaviersonate Nr. 10, nicknamed "Symphonic", was written 3 months later in the same year. Despite the increasing presence of hearing loss in his everyday life, he continued to write pieces and play instruments, finishing the Op. 36, and Op. 37 sonata sets within about a two month time span. To first his friends, he admitted he was going deaf. "I just can't possibly hear what people say half of the time." He has no romantic interest, unlike his student, who started writing significantly later than Ewrruewc himself.

After leaving Primary School, his friend group grew larger; but that still didn't help anything, as his hearing kept declining. Around this time, he started creating his current style of works, much more ambitious for the grander ones, laid back and relaxed for others. His (still unfinished) Requiem Mass, he has been writing for a year, but not really because he lost the file around a month in. His Sinfonie Nr. 2, nicknamed "Großartig" (really his Sinfonie Nr. 1), was only his second experience in writing for orchestra, only writing on OS (before clones existed so there were plenty limitations). His Sinfonie Nr. 4 has been in writing for about four months, because he is a perfectionist and doesn't think some parts are good enough. A concert was agreed upon between him and his student to take place sometime in 2025 (see main article), showcasing 8 works; all listed on its page. Those concert works are still in progress, with Ewrruewc being only around halfway done with his pieces.

Life and Career

Early life and education

Ewrruewc was born in San Antonio, to a relatively small family of three (with him, four), he lived like this for around two years in a house (now painted) blue. Around the age of two, the fifth member of his family was born, his sister (very annoying). They stayed in the old home for about three more years after that, Ewrruewc being sent to a Catholic School for toddlers nearby. Then they moved over to the town of Abilene, for a work opportunity his father was given. School went as normal, except they moved back to San Antonio by the time he was in first grade, and then moved to another school in second grade.

2015 - 2018: Abilene

Either in 2017 or 2018, Ewrruewc was put into a local elementary school to start his school career, it was a relatively small school, only having kindergarten and pre-kindergarten. He attended both grades the school offered, being a rather mischievous child; being forced to attend the local church as well. He was rather dumb in this time, like all other of his peers. He learned to count, read, and all the other basic things you typically learn in that grade. The only thing relevant that happened in this time was meeting his grandparents, who were to set him on his future immediately after they returned to San Antonio.

They lived in an apartment for the time they lived there, a gray depressing colorless environment. But hey! At least the complex had dvd rentals and a pool! The schedule was as always:

  1. Dad goes to work
  2. School time
  3. Return home
  4. Eat
  5. Sleep


And that schedule repeated for about five years, with visits to San Antonio, Corpus Christi, and Portland to visit family.

2018 - Current: San Antonio

2018 - 2020: Pre-Pandemic

After five long years in Abilene, Ewrruewc (at this point they will now be referred to by their real first name) and his family moved back into San Antonio with his grandparents. While his parents looked for a house to buy, Ewrruewc attended the local Primary School and got into the GT (Gifted and Talented) Program (which he is still in to this day). His Grandma, took him to the theater one day to see a movie that had just come out, being very young, Gabriel proceeded to think playing violin would give him superpowers or something. So then he got a violin rental (which still goes on) and watched some violin tutorials that didn't work. So then he was enrolled in some rather expensive, but high quality lessons that he took for the next four years. During one visit to Portland to visit his aunts, uncles, and Great-Grandfather, his Grandpa took him to see the nearby Aircraft Carrier that had been converted into a museum about 20 years prior. That carrier is actually the oldest remaining fleet carrier in the world, and in one of the rooms, there was a television playing the also recently released Midway (2019) (It's a good movie go watch it). It was around this time that he recalls his hearing started getting worse.

2020 - 2022: Pandemic

During the famed COVID-19 Pandemic, Gabriel was forced to stay sitting in his house for the entire duration. Although I really can't write much here from nothing happening, I can say one of the best (worst) things that happened in this time. So it was Gabriel's 10th birthday, a big day, double digits. And then MY ENTIRE (immediate) FAMILY GETS COVID, worst present ever.

2022 - Current: Music

By the time the pandemic ended, he had already become accustomed to lazily doing nothing all day, everyday. Now since schedules repeat, lets skip to late 2023.

Late 2023

Around this time, Ewrruewc had just written his longest sonata to this day, the "Symphonic". As this was a huge piece, over 1 1/3 hours long, he had immediately stopped writing lengthy pieces for a while, writing around 10 pieces in the two weeks after. Then around the time of October, he was to start his longest single work.
Sinfonie Nr. 2 was a major failure in his creative process, the only interesting movements are the second and fourth. The first movement was just a whole bunch of spammed Diminished Seventh chords. The third movement was just 10 minutes of music repeated four times, rather boring, right?

2024 and immense sadness

The signs of his dear great-grandfather's health were slowly dwindling as by August of this year, he was hospitalized, having an emergency operation leaving him never able to walk again. Although there were many prayers said, as Gabriel never visited him again for the last 3 months of his life, Gabriel continued to write as normal. The day he turned 13, he had his last interaction with his great-grandfather. A simple call, lasting little over 30 minutes, very hopeful. His family had been planning to go visit his great-grandfather in the near winter-break. But he didn't live that long. The happy little composer was launched into a severe loop of increasing sadness and started to socialize less. By this time, he had started not being able to hear what people are saying, "I just can't possibly hear what people say half of the time." As music was his only point of life due to an already miserable home life, this was the final straw, he saw no point, spiraling into a never-ending funnel of sadness and mourning. He held his great-grandfather dear, he was his favorite far-away relative. With this new, more gnarled form of sadness, his music followed with his mental state, becoming increasingly dissonant, only keeping his old style for the still not finished Sinfonie Nr. 4. (i have been crying while writing this, any mention of my great-grandfather just makes me tear up, just thinking about how i'll never see him again in my life after the funeral.)

Music

Opus

This is an almost up-to-date list of my works that I try my best to keep current.

Works
Opus Number Actual Work Number Work Name Movements (if any) Work Key Length (hh:mm:ss) Year Composed
Works With English Titles (Op. 1 - Op. 8, No. 1)
Op. 1 1 Piano Sonata No. 1 3 C#-Minor 00:12:09 2022
Op. 2 2 Piano Sonata No. 2 3 C#-Minor 00:18:47 2022
Op. 3 3 Piano Sonata No. 3 3 C#-Minor 00:26:53 2023
Op. 4, No. 1 4 Étude No. 1, "Slow Climb" None A#-Minor 00:03:09 2023
Op. 4, No. 2 5 Étude No. 2, "Ocean" None F-Major 00:02:27 2023
Op. 4, No. 3 6 Étude No. 3, "Slow Climb Variation" None C-Minor 00:03:29 2023
Op. 4, No. 4 7 Étude No. 4, "Chaos" None A-Major 00:02:56 2023
Op. 5 8 Fugue No. 1 None None 00:05:54 2023
Op. 6 9 Fugue No. 2 None None 00:10:02 2023
Op. 7 10 Piano Sonata No. 4, "False Possibility" 4 G#-Major 00:39:33 2023
Op. 8, No. 1 11 Sonatina No. 1 3 E Major 00:04:06 2023
Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben)
Op. 8, No. 2 12 Klavierkomposition für die Musik der harmonischen Dissonanz Nichts C-Moll 00:07:12 2023
Op. 9 15 Ein einfaches Prälüdium und eine Fuge Nichts D-Dur 00:03:49 2023
Op. 10 13 Ein einfaches Kanon und eine Fuge Nichts D-Moll 00:03:18 2023
Op. 11 14 Nichts Nichts Nichts 00:02:34 2023
Op. 12 16 Eine etwas schwierige Fuge Nichts Nichts 00:02:45 2023
Op. 13 17 Klaviersonate Nr. 5 4 Gis-Moll 00:35:30 2023
Op. 14 18 Nichts Nichts Nichts 00:00:48 2023
Op. 15 19 Wut über eine verlorene Notenseite Nichts Cis-Moll 00:03:56 2023
Op. 16 20 Ein einfacher Doppelkanon Nichts Nichts 00:01:07 2023
Op. 17 21 Impromptu Nr. 1 Nichts C-Dur 00:02:14 2023
Op. 18 22 Nichts Nichts Nichts 00:00:51 2023
Op. 19 22 Cappricio der Dummheit Nichts Nichts 00:03:30 2023
Op. 20 23 Fuge Nr. 3 Nichts Nichts 00:01:54 2023
Op. 21 24 Eine Einfache Komposition für das Cembalo Nichts D-Dur 00:01:25 2023
Op. 22 25 Eine kurze Komposition für das Cembalo Nichts Nichts 00:00:39 2023
Op. 23 26 Impromptu Nr. 2 Nichts C-D/M 00:02:26 2023
Op. 24 27 Impromptu Nr. 3 für ein Klavierduett Nichts Cis-Moll 00:02:45 2023
Op. 25 28 Nichts Nichts Nichts 00:01:12 2023
Op. 26 29 Klaviersonate Nr. 6 2 H-Dur 00:18:10 2023
Op. 27 30 Nichts Nichts Nichts 00:00:31 2023
Op. 28 31 Fuge Nr. 4 Nichts Cis-Moll 00:08:18 2023
Op. 29 32 Impromptu Nr. 4 Nichts Ais-Dur 00:04:01 2023
Op. 30 33 Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio Nichts Nichts 00:01:54 2023
Op. 31 34 Impromptu Nr. 5 Nichts Dis-Dur 00:00:43 2023
Op. 32 35 Ein langer Rasch für den Hammerklavier Nichts Nichts 00:10:50 2023
Op. 33 36 Nichts Nichts Nichts 00:02:21 2023
Op. 34 37 Nichts Nichts Nichts 00:01:35 2023
Op. 35 38 Ein langes Fugato für ein Klavierduett Nichts Nichts 00:02:21 2023
Op. 36, Nr. 1 39 Klaviersonate Nr. 7 4 Cis-Moll 00:45:39 2023
Op. 36, Nr. 2 40 Klaviersonate Nr. 8 3 G-Dur 00:21:24 2023
Op. 36, Nr. 3 41 Klaviersonate Nr. 9 2 F-Dur 00:17:11 2023
Op. 37, Nr. 1 42 Klaviersonate Nr. 10, "Symphonic" 4 D-Dur 01:22:23 2023
Op. 37, Nr. 2 43 Klaviersonate Nr. 11, "Fugal" 2 Cis-Moll 00:09:00 2023
Op. 37, Nr. 3 44 Étude Nr. 5 Nichts Cis-Dur 00:03:04 2023
Op. 37, Nr. 4 45 Streichquartett Nr. 2 3 C-Dur 00:15:02 2023
Op. 38, Nr. 1 46 Sinfonie Nr. 2, "Großartig" 4 C-Dur 02:01:41 2023
Op. 38, Nr. 2 47 3 Stücke Für Streichquartett 3 C-Dur 00:11:18 2023
Op. 38, Nr. 3 48 Sinfonie Nr. 3 1 G-Dur 00:05:37 2023
Op. 39 49 Nichts Nichts Nichts 00:01:27 2023
Op. 40, Nr. 1 50 Klaviersonate Nr. 12, "Für Einsteiger" 3 C-Dur 00:13:46 2023
Op. 40, Nr. 2 51 Klaviersonate Nr. 13 4 Cis-Dur 00:04:36 2024
Op. 40, Nr. 3 52 8 Variationen von Twinkle Twinkle Little Star Nichts C-Dur 00:04:54 2023
Op. 41, Nr. 1 53 Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio Nichts E-Dur 00:02:42 2023
Op. 41, Nr. 2 66 Eine Studie über Paganinis Stücke in Etüden: II. La Clochette Nichts B-Moll 00:08:32 2023
Op. 42 59 Die Kunst Der Fuge 13 Nichts 00:20:00 2023
Op. 43 60 Klaviersonate Nr. 14 3 G-Dur 00:03:09 2023
Op. 44 61 Klaviersonate Nr. 15 6 A-Moll 00:07:05 2024
Op. 45 63 Feiertagslied, so eine Art Nichts G-Dur 00:03:50 2023
Op. 46 62 Grosso Concerto Nr. 1 5 D-Dur 00:22:48 2023
Op. 47 65 (actually 87) Sonatina 2 A-Dur 2024
Op. 48 64 Requiem 8 E-Moll 00:07:35 2024
Op. 49 67 Klaviersonate Nr. 16 6 D-Dur 01:02:54 2023
Op. 50 70 Violin Concerto Nr. 1 3 Bb-Dur 00:21:04 2024
Op. 51, Nr. 1 71 Klaviersonate Nr. 17 3 A-Dur 00:23:15 2023
Op. 51, Nr. 2 72 Klaviersonate Nr. 18 2 D-Moll 00:30:41 2024
Op. 51, Nr. 3 73 Klaviersonate Nr. 19 4 A-Dur 00:37:57 2024
Op. 51, Nr. 4 74 Klaviersonate Nr. 20 3 Bb-Dur 00:20:09 2024
Op. 51, Nr. 5 75 Klaviersonate Nr. 21 3 C-Dur 00:17:54 2024
Op. 51, Nr. 6 81 Klaviersonate Nr. 22 2 G-Dur 00:07:55 2024
Op. 51, Nr. 7 83 Klaviersonate Nr. 23 3 C-Moll 00:34:56 2024
Op. 51, Nr. 8 85 Klaviersonate Nr. 24 4 C-Dur 00:10:41 2024
Op. 52 80 Double Harpsichord Concerto Nr. 1 1 D-Moll 00:10:19 2024
Op. 53 82 Allegro 1 C-Dur 00:05:56 2024
Op. 54 84 Sonatina and Fugue 2 C-Dur 00:07:42 2024
Op. 55 89 Suite 3 D-Dur 00:01:51 2024
Op. 56 86 Klaviersonate Nr. 25 4 F-Moll 00:05:42 2024
Op. 57 88 Sinfonie Nr. 4 4 D-Dur 00:45:45 2024
Op. 58 90 22 variations on Twinkle Twinkle Little Star Nichts C-Dur 00:17:11 2023
Op. 59 91 12 Variations on a theme by Viri Nichts A-Dur 00:05:52 2024
Op. 60 96 Sinfonie Nr. 5 4 Es-Dur WIP 2024
Op. 61 97 Soprano Aria Nichts C-Dur Not Started 2024
Op. 62 92 Klaviersonate Nr. 26 4 C-Dur 00:36:03 2024
Op. 63 94 Klaviersonate Nr. 27 3 F-Dur WIP 2024
Op. 64 93 Variations and Fugato on a Musette by Andante Nicht A-Dur WIP 2024
Op. 65 95 Klaviersonate Nr. 28 4 Es-Dur WIP 2024


SoO.

These (above) are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.

(there are actually hundreds of these but i am too lazy to add the rest, ill do it someday)

Stücke ohne Opuszahlen
SoO Number Piece Name Work Key Composed
SoO. 1 Untitled None 2022
SoO. 2 Untitled None 2023
SoO. 3 Untitled None
SoO. 4 Untitled None
SoO. 5 Untitled D#-Major
SoO. 6 Untitled G#-Major
SoO. 7 piano thing C-Minor
SoO. 8 Untitled None
SoO. 9 random composition i wrote D#-Minor
SoO. 10 Arpeggi del Vento None
SoO. 11 Untitled None
SoO. 12 Untitled None
SoO. 13 Untitled None
SoO. 14 Untitled None
SoO. 15 Untitled None
SoO. 16 Untitled None
SoO. 17 Untitled None
SoO. 18 Untitled None
SoO. 19 Untitled None
SoO. 20 Untitled None
SoO. 21 Untitled None
SoO. 22 its all my fault None
SoO. 23 Untitled None
SoO. 24 Untitled None
SoO. 25 Untitled None
SoO. 26 Untitled None
SoO. 27 Untitled None
SoO. 28 Untitled None
SoO. 29 Untitled None
SoO. 30 Untitled None
SoO. 31 Untitled None
SoO. 32 coda for 4th sinfonie, mvt, 4 None

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