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| I was feeling whimsical and in the mood to write a whole wiki page about myself and my music. Then I realized I don't work well with conventional structure; so instead here's a whatever about my OS "career". Sorry for any mistakes and errors.
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| == History ==
| | Every time I make a reverbed ABABCB album it takes me a fucking year to make the next one |
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| === The "No Account" Era (2023 - 2024) ===
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| From the late summer of 2023 until march of 2024 I using Online Sequencer mainly to shitpost sequences nobody would care about, and export the "good" sequences I made as MP3s to upload onto YouTube and BandLab. I Have since deleted all of those YouTube and BandLab uploads as they sucked.
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| === The "Misc Uploads" Era (2024-03-19 - 2024-07-23) ===
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| After deciding that uploading my sequences directly onto OS was a better choice than what I was doing during the previous months, I got an account and posted a sequence I had prepared the day before titled "[https://onlinesequencer.net/3901811 account verified!]." The next couple months followed with miscellaneous and relatively infrequent uploads such as "[https://onlinesequencer.net/3908590 lunar eclipse]", "[https://onlinesequencer.net/3909940 annoying human]", "[https://onlinesequencer.net/3978768 I see the crow]", and "[https://onlinesequencer.net/4097623 Adam And Eve]."
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| === The First Album Era (2024-07-24 - 2025-02-01) ===
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| Following in the footsteps of contemporary OS user and close friend, [https://onlinesequencer.net/members/150471 Pest], I decided that I too wanted to try making albums, and not just misc sequences every now and then. This led to the release of "[https://onlinesequencer.net/playlist/33851 Breakthrough]", "[https://onlinesequencer.net/playlist/34590 Strange]", and "[https://onlinesequencer.net/playlist/38302 September]."
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| === The "176" Era (2025-02-18 - 2025-10-15) ===
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| Following the release of "September", I made what I thought was going to be a throwaway sequence titled "[https://onlinesequencer.net/4476190 A Step In The Right Direction]", But four days later I made what I thought was another throwaway sequence titled "[https://onlinesequencer.net/4483830 Statues Of Dogs And Cautious Travelers]", noticing that both of them had the same note count of 176 notes I was all-of-a-sudden determined to, by the end of 2025, have made 176 sequences all with 176 notes. A considerable amount of time, and effort went into the project, so much so that another album was almost impossible to even plan, as I spent all my free time and energy on the 176 challenge. This period also saw a huge leap in genre variety.
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| === Considerable Increase in Amount of Misc Uploads (2025-10-24 - Present) ===
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| After the 176 challenge was completed it left a massive impact on me, I couldn't go a day without opening OS, I was a OS addict before and had just gone on what some could see as an eight month long bender. Misc uploads, often very short, were now coming at a rapid speed, and with no limitation on how many notes there could be. Much like the "176" era the variety of music expand, and whilst I plan to keep albums pretty much rock for as long as possible, the "[https://onlinesequencer.net/playlist/42135 How I Wish It Would Be]" playlist is a great way to find my post-176 era misc hip-hop and electronic sequences.
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| === The Second Album Era (2025-12-04 - Present) ===
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| On the fourth of December 2025, I uploaded my fourth album "[https://onlinesequencer.net/playlist/48036 This Is Emo Above My Pay Grade]", a more experimental work than my discography up until that point. 'Emo' was followed by "[https://onlinesequencer.net/playlist/51804 The Orange Album]", realeased on the eight of March 2026, which continued the experimental nature of 'Emo'.
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| == Personal Rankings ==
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| === Albums ===
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| # "This Is Emo Above My Pay Grade" - A short and sweet burst of experimental and indifferent rock songs. Everything I want in an album; not too long, doesn't take itself too seriously, doesn't ever feel too gimmicky, etc. What I would consider my magnum opus.
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| # "The Orange Album" - A much longer and more post-rock/noise rock influence album. Built upon often atonal instrumentals, droning guitars, and wild drumming. I Love the epic feel of songs like "Rat King Nü-Hannah", or "Tutrole." I love the noise and distortion of songs like "Untitled Listener Filter", or "To My Democracy?!." But it can get a bit boring if you want something short, and there are moments I could've executed better.
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| # "September" - A reverb drowned verse-chorus-verse-chorus-bridge-chorus shoegaze-meets-post-rock jerk off. Very self-indulgent and exccessive, but still some good melodies and ideas that could've been used much better by someone more skilled.
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| # "Strange" - A Midwest Emo album that doesn't at all capture what makes Midwest Emo good. Some parts feel very long and repetetive, might have been good with vocals added but I don't do vocals, and I won't rank an album based on how good they could have been. Honestly not the worst in the world, but certaintly nothing you must hear.
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| # "Breakthrough" - I don't even know what's bad with this album, 'cause I haven't even re-listened to this album since it dropped. Even 2024 me could tell it was some hot garbage, and that says something.
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| === Top 10 Songs (Albums Only) ===
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| # Rat King Nü-Hannah
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| # Mad Star
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| # If She Leaves Me
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| # Tutrole
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| # Whatever's on the Radio
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| # The Whaler
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| # Untitled Listener Filter
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| # Cutie for a Death Rabbi
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| # Safer In Your Hands
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| # Godspeed
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Every time I make a reverbed ABABCB album it takes me a fucking year to make the next one