User:Ewrruewc: Difference between revisions
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So far, this user has only one student in music theory, another OS user: [[User:Viri|Viri]], check out their works. | So far, this user has only one student in music theory, another OS user: [[User:Viri|Viri]], check out their works. | ||
== Concerts == | |||
This user has a [[2025 Concert (Ewrruewc, Viri)|planned concert for the year 2025]] with his student, Viri. The concert is mainly described on its page, but it is planned to feature eight works. | |||
== tl;dr == | == tl;dr == | ||
anyways i may or may not have typed an entire speech above. | anyways i may or may not have typed an entire speech above. | ||
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| Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24]) | | Op. 49 || 67 || [https://onlinesequencer.net/3779226 Klaviersonate Nr. 16] || 6 || D-Dur || Dec. 2023 (finished new years eve [allegro rewritten 1/5/24]) | ||
|- | |- | ||
| Op. 50 || 70 || Violin Concerto Nr. 1 || | | Op. 50 || 70 || Violin Concerto Nr. 1 || 3 || Bb-Dur || 2024 | ||
|- | |- | ||
| Op. 51, Nr. 1 || 71 || Klaviersonate Nr. 17 || 3 || A-Dur || Dec. 31, 2023 | | Op. 51, Nr. 1 || 71 || [https://onlinesequencer.net/3919659 Klaviersonate Nr. 17] || 3 || A-Dur || Dec. 31, 2023 | ||
|- | |- | ||
| Op. 51, Nr. 2 || 72 || Klaviersonate Nr. 18 || 2 || D-Moll || rowspan=12 | 2024 | | Op. 51, Nr. 2 || 72 || [https://onlinesequencer.net/3833390 Klaviersonate Nr. 18] || 2 || D-Moll || rowspan=12 | 2024 | ||
|- | |- | ||
| Op. 51, Nr. 3 || 73 || Klaviersonate Nr. 19 || 4 || A-Dur | | Op. 51, Nr. 3 || 73 || [https://onlinesequencer.net/3925337 Klaviersonate Nr. 19] || 4 || A-Dur | ||
|- | |- | ||
| Op. 51, Nr. 4 || 74 || Klaviersonate Nr. 20 || 3 || Bb-Dur | | Op. 51, Nr. 4 || 74 || [https://onlinesequencer.net/3891622 Klaviersonate Nr. 20] || 3 || Bb-Dur | ||
|- | |- | ||
| Op. 51, Nr. 5 || 75 || Klaviersonate Nr. 21 || 3 || C-Dur | | Op. 51, Nr. 5 || 75 || [https://onlinesequencer.net/3898056 Klaviersonate Nr. 21] || 3 || C-Dur | ||
|- | |- | ||
| Op. 51, Nr. 6 || 81 || Klaviersonate Nr. 22 || 2 || G-Dur | | Op. 51, Nr. 6 || 81 || [https://onlinesequencer.net/3929186 Klaviersonate Nr. 22] || 2 || G-Dur | ||
|- | |- | ||
| Op. 51, Nr. 7 || 83 || Klaviersonate Nr. 23 || 3 || C-Moll | | Op. 51, Nr. 7 || 83 || [https://onlinesequencer.net/4056158 Klaviersonate Nr. 23] || 3 || C-Moll | ||
|- | |- | ||
| Op. | | Op. 51, Nr. 8 || 85 || Klaviersonate Nr. 24 || 4 || C-Dur | ||
|- | |- | ||
| Op. | | Op. 52 || 80 || [https://onlinesequencer.net/3843282 Double Harpsichord Concerto Nr. 1] || 1 || D-Moll | ||
|- | |- | ||
| Op. | | Op. 53 || 82 || [https://onlinesequencer.net/3931133 Allegro] || 1 || C-Dur | ||
|- | |- | ||
| Op. | | Op. 54 || 84 || [https://onlinesequencer.net/3984507 Sonatina] and [https://onlinesequencer.net/3984519 Fugue] || 2 || C-Dur | ||
|- | |- | ||
| Op. | | Op. 55 || 89 || Suite || 3 || D-Dur | ||
|- | |- | ||
| Op. 57 || | | Op. 56 || 86 || Klaviersonate Nr. 25 || 4 || D-Moll | ||
|- | |||
| Op. 57 || 88 || [https://onlinesequencer.net/4048971 Sinfonie Nr. 4] || 4 || D-Dur | |||
|} | |} | ||
Revision as of 07:38, 20 June 2024
Biography
This user is one of the only composers on OS, at least that they know. This user was born at the very very young age of 0, and from then until a couple years ago shown no interest in music whatsoever, then it happened. They were exposed to the beauty of the baroque era, and later the classical. The user then proceeded to use this account, which they had previously used to recreate video-game soundtracks, they used it to start writing their own little pieces, no more than 2 minutes, then they decided to take a move that changed the history of the user forever.
The Start of composition
They wrote their first piano sonata. Although the user despises this piano sonata due to it obviously just being Chopin, it was a good first try. The user's success in piano sonatas did not happen until the 4th, which is the first one over 30 minutes. The fourth sonata was a breakthrough in the user's understanding of music theory.
The Growing Understanding of Music Theory
They then proceeded to write the fifth, another long sonata, after a short break in writing pieces over three months, they came back and wrote the sixth. a few weeks go by, and its the school year, the user starts their biggest project yet. Klaviersonate Nr. 10; the "Symphonic," this piece was the user's first experience writing for orchestra, in the finale, and is over 80 minutes in length, their longest sonata to this day. They also wrote a couple simple sonatas after that, but it wasn't until the 16th that the hour barrier would be broken again. But before the 16th, they wrote their 2nd symphony, their 2nd longest piece, at a massive 2 hours in length.
Op. 51
After the 16th sonata, the user went on a compositional journey to write 7 (originally 6) piano sonatas in differing styles, the user achieved this, making it their longest piece, at a staggering 2 hours and 53 minutes. But, the user doesn't want to stop, they want to increase the number of sonatas in Op. 51 from 7 to 8, or even more; they cannot be stopped.
Students
So far, this user has only one student in music theory, another OS user: Viri, check out their works.
Concerts
This user has a planned concert for the year 2025 with his student, Viri. The concert is mainly described on its page, but it is planned to feature eight works.
tl;dr
anyways i may or may not have typed an entire speech above. tl;dr, user becomes composer and writes long pieces.
Works
Ewrruewc is a composer with at the time of writing, 87 works under their catalogue
Op. Numbers
Opus Number | Actual Work Number | Work Name | Movements (if any) | Work Key | Year Composed |
---|---|---|---|---|---|
Works With English Titles (Op. 1 - Op. 8, No. 1) | |||||
Op. 1 | 1 | Piano Sonata No. 1 | 3 | C#-Minor | 2022 |
Op. 2 | 2 | Piano Sonata No. 2 | 3 | C#-Minor | |
Op. 3 | 3 | Piano Sonata No. 3 | 3 | C#-Minor | 2023 |
Op. 4, No. 1 | 4 | Étude No. 1, "Slow Climb" | None | A#-Minor | |
Op. 4, No. 2 | 5 | Étude No. 2, "Ocean" | None | F-Major | |
Op. 4, No. 3 | 6 | Étude No. 3, "Slow Climb Variation" | None | C-Minor | |
Op. 4, No. 4 | 7 | Étude No. 4, "Chaos" | None | A-Major | |
Op. 5 | 8 | Fugue No. 1 | None | None | |
Op. 6 | 9 | Fugue No. 2 | None | None | |
Op. 7 | 10 | Piano Sonata No. 4, "False Possibility" | 4 | G#-Major | |
Op. 8, No. 1 | 11 | Sonatina No. 1 | 3 | E Major | |
Werke Mit Deutschen Titeln (Op. 8, Nr. 2 Und Nach Oben) | |||||
Op. 8, No. 2 | 12 | Klavierkomposition für die Musik der harmonischen Dissonanz | Nichts | C-Moll | 2023 |
Op. 9 | 15 | Ein einfaches Prälüdium und eine Fuge | Nichts | D-Dur | |
Op. 10 | 13 | Ein einfaches Kanon und eine Fuge | Nichts | D-Moll | |
Op. 11 | 14 | Nichts | Nichts | Nichts | |
Op. 12 | 16 | Eine etwas schwierige Fuge | Nichts | Nichts | |
Op. 13 | 17 | Klaviersonate Nr. 5 | 4 | Gis-Moll | |
Op. 14 | 18 | Nichts | Nichts | Nichts | |
Op. 15 | 19 | Wut über eine verlorene Notenseite | Nichts | Cis-Moll | |
Op. 16 | 20 | Ein einfacher Doppelkanon | Nichts | Nichts | |
Op. 17 | 21 | Impromptu Nr. 1 | Nichts | C-Dur | |
Op. 18 | 22 | Nichts | Nichts | Nichts | |
Op. 19 | 22 | Cappricio der Dummheit | Nichts | Nichts | |
Op. 20 | 23 | Fuge Nr. 3 | Nichts | Nichts | |
Op. 21 | 24 | Eine Einfache Komposition für das Cembalo | Nichts | D-Dur | |
Op. 22 | 25 | Eine kurze Komposition für das Cembalo | Nichts | Nichts | |
Op. 23 | 26 | Impromptu Nr. 2 | Nichts | C-D/M | |
Op. 24 | 27 | Impromptu Nr. 3 für ein Klavierduett | Nicht | Cis-Moll | |
Op. 25 | 28 | Nichts | Nichts | Nichts | |
Op. 26 | 29 | Klaviersonate Nr. 6 | 2 | H-Dur | |
Op. 27 | 30 | Nichts | Nichts | Nichts | |
Op. 28 | 31 | Fuge Nr. 4 | Nichts | Cis-Moll | |
Op. 29 | 32 | Impromptu Nr. 4 | Nichts | Ais-Dur | |
Op. 30 | 33 | Ein Abschied vom besten Musiklehrer, den ich je hatte ausgedrückt in einem Capriccio | Nichts | Nichts | |
Op. 31 | 34 | Impromptu Nr. 5 | Nichts | Dis-Dur | |
Op. 32 | 35 | Ein langer Rasch für den Hammerklavier | Nichts | Nichts | |
Op. 33 | 36 | Nichts | Nichts | Nichts | |
Op. 34 | 37 | Nichts | Nichts | Nichts | |
Op. 35 | 38 | Ein langes Fugato für ein Klavierduett | Nicht | Nicht | |
Op. 36, Nr. 1 | 39 | Klaviersonate Nr. 7 | 4 | Cis-Moll | |
Op. 36, Nr. 2 | 40 | Klaviersonate Nr. 8 | 3 | G-Dur | |
Op. 36, Nr. 3 | 41 | Klaviersonate Nr. 9 | 2 | F-Dur | |
Op. 37, Nr. 1 | 42 | Klaviersonate Nr. 10, "Symphonic" | 4 | D-Dur | |
Op. 37, Nr. 2 | 43 | Klaviersonate Nr. 11, "Fugal" | 2 | Cis-Moll | |
Op. 37, Nr. 3 | 44 | Étude Nr. 5 | Nichts | Cis-Dur | |
Op. 37, Nr. 4 | 45 | Streichquartett Nr. 2 | 3 | C-Dur | |
Op. 38, Nr. 1 | 46 | Sinfonie Nr. 2, "Großartig" | 4 | C-Dur | |
Op. 38, Nr. 2 | 47 | 3 Stücke Für Streichquartett | 4 | C-Dur | |
Op. 38, Nr. 3 | 48 | Sinfonie Nr. 3 | 1 | G-Dur | |
Op. 39 | 49 | Nichts | Nichts | Nichts | |
Op. 40, Nr. 1 | 50 | Klaviersonate Nr. 12, "Für Einsteiger" | 3 | C-Dur | |
Op. 40, Nr. 2 | 51 | Klaviersonate Nr. 13 | 4 | Cis-Dur | |
Op. 40, Nr. 3 | 52 | 8 Variationen von Twinkle Twinkle Little Star | Nichts] | C-Dur | |
Op. 41, Nr. 1 | 53 | Eine Studie über Paganinis Stücke in Etüden: I. Arpeggio | Nichts | E-Dur | |
Op. 41, Nr. 2 | 66 | Eine Studie über Paganinis Stücke in Etüden: II. La Clochette | Nichts | B-Moll | |
Op. 42 | 59 | Die Kunst Der Fuge | 20 | Nichts | |
Op. 43 | 60 | Klaviersonate Nr. 14 | 3 | G-Dur | |
Op. 44 | 61 | Klaviersonate Nr. 15 | 6 | A-Moll | |
Op. 45 | 63 | Feiertagslied, so eine Art | Nichts | G-Dur | |
Op. 46 | 62 | Grosso Concerto Nr. 1 | 5 | D-Dur | |
Op. 47 | 65 (actually 87) | Sonatina | 2 | A-Dur | 2024 |
Op. 48 | 64 | Requiem | 8 | E-Moll | Dec. 2023 - ?. 2024 |
Op. 49 | 67 | Klaviersonate Nr. 16 | 6 | D-Dur | Dec. 2023 (finished new years eve [allegro rewritten 1/5/24]) |
Op. 50 | 70 | Violin Concerto Nr. 1 | 3 | Bb-Dur | 2024 |
Op. 51, Nr. 1 | 71 | Klaviersonate Nr. 17 | 3 | A-Dur | Dec. 31, 2023 |
Op. 51, Nr. 2 | 72 | Klaviersonate Nr. 18 | 2 | D-Moll | 2024 |
Op. 51, Nr. 3 | 73 | Klaviersonate Nr. 19 | 4 | A-Dur | |
Op. 51, Nr. 4 | 74 | Klaviersonate Nr. 20 | 3 | Bb-Dur | |
Op. 51, Nr. 5 | 75 | Klaviersonate Nr. 21 | 3 | C-Dur | |
Op. 51, Nr. 6 | 81 | Klaviersonate Nr. 22 | 2 | G-Dur | |
Op. 51, Nr. 7 | 83 | Klaviersonate Nr. 23 | 3 | C-Moll | |
Op. 51, Nr. 8 | 85 | Klaviersonate Nr. 24 | 4 | C-Dur | |
Op. 52 | 80 | Double Harpsichord Concerto Nr. 1 | 1 | D-Moll | |
Op. 53 | 82 | Allegro | 1 | C-Dur | |
Op. 54 | 84 | Sonatina and Fugue | 2 | C-Dur | |
Op. 55 | 89 | Suite | 3 | D-Dur | |
Op. 56 | 86 | Klaviersonate Nr. 25 | 4 | D-Moll | |
Op. 57 | 88 | Sinfonie Nr. 4 | 4 | D-Dur |
Stücke ohne Opuszahlen
These (above) are the works that I have put under my Opus catalogue, but with some works, I wrote them before I had even started putting works under opus numbers. Of course, I have no plans with them, I occasionally put parts of them into works, sort of like spare parts; but otherwise, they have no use. They are listed below. I will be using the abbreviation "SoO" (Stücke ohne Opuszahlen) to list these works, I will put them in the best I can remember of chronological order.
SoO Number | Piece Name | Work Key | Composed |
---|---|---|---|
SoO. 1 | Untitled | None | 2022 |
SoO. 2 | Untitled | None | 2023 |
SoO. 3 | Untitled | None | |
SoO. 4 | Untitled | None | |
SoO. 5 | Untitled | D#-Major | |
SoO. 6 | Untitled | G#-Major | |
SoO. 7 | piano thing | C-Minor | |
SoO. 8 | Untitled | None | |
SoO. 9 | random composition i wrote | D#-Minor | |
SoO. 10 | Arpeggi del Vento | None | |
SoO. 11 | Untitled | None | |
SoO. 12 | Untitled | None | |
SoO. 13 | Untitled | None | |
SoO. 14 | Untitled | None | |
SoO. 15 | Untitled | None | |
SoO. 16 | Untitled | None | |
SoO. 17 | Untitled | None | |
SoO. 18 | Untitled | None | |
SoO. 19 | Untitled | None | |
SoO. 20 | Untitled | None | |
SoO. 21 | Untitled | None | |
SoO. 22 | its all my fault | None | |
SoO. 23 | Untitled | None | |
SoO. 24 | Untitled | None | |
SoO. 25 | Untitled | None | |
SoO. 26 | Untitled | None | |
SoO. 27 | Untitled | None | |
SoO. 28 | Untitled | None | |
SoO. 29 | Untitled | None | |
SoO. 30 | Untitled | None | |
SoO. 31 | Untitled | None |