Car
12/24/25 0:27
ewrruewc
12/20/25 16:49
ewrruewc
11/28/25 18:28
screw the Nocturne, this is the best thing I've ever written.
12/23/2025
Scherzo-Fantaisie in A Minor, Op. 5, No. 4 (from 6 Apologies, Op. 5)
The sequel to
.
I made the coda all the way back in September and I almost made this a Ballade No. 2. I did change the coda significantly though; that sequence was only supposed to be a rough draft. It obviously has a bunch of influence from Chopin's 4 Scherzos (Scherzi?), but I also got inspo from this amazing "reverse étude" and this Scherzo that I would consider Scherzo No. 5. It's the longest piece I've ever made at 9 minutes 23 seconds, so sectioning it off this much was only logical. I literally sectioned the sections because:
1. It was a lot more convenient
2. The themes within the themes were so different they had to be grouped separately
Intro: 1-32
Theme A (m. 33-220):
- A1: 33-96
- A2: 97-148
- A1 (again): 149-180
- A3: 181-220
Theme B (m. 221-432):
- B1: 221-256
- B2: 257-296
- B3: 297-328
- B1 (again): 329-360
- B2 (again): 361-400
- B3 (again): 401-432
Transition: 433-500
Theme A (m. 501-640):
- A1: 501-516
- A2: 517-568
- A1 (again): 569-600
- A3: 601-640
Coda: 641-734
12/23/2025
Scherzo-Fantaisie in A Minor, Op. 5, No. 4 (from 6 Apologies, Op. 5)
The sequel to
I made the coda all the way back in September and I almost made this a Ballade No. 2. I did change the coda significantly though; that sequence was only supposed to be a rough draft. It obviously has a bunch of influence from Chopin's 4 Scherzos (Scherzi?), but I also got inspo from this amazing "reverse étude" and this Scherzo that I would consider Scherzo No. 5. It's the longest piece I've ever made at 9 minutes 23 seconds, so sectioning it off this much was only logical. I literally sectioned the sections because:
1. It was a lot more convenient
2. The themes within the themes were so different they had to be grouped separately
Intro: 1-32
Theme A (m. 33-220):
- A1: 33-96
- A2: 97-148
- A1 (again): 149-180
- A3: 181-220
Theme B (m. 221-432):
- B1: 221-256
- B2: 257-296
- B3: 297-328
- B1 (again): 329-360
- B2 (again): 361-400
- B3 (again): 401-432
Transition: 433-500
Theme A (m. 501-640):
- A1: 501-516
- A2: 517-568
- A1 (again): 569-600
- A3: 601-640
Coda: 641-734
Offset
Delay
BPM
Title
Instrument
3
OnlineSequencer.net is an online music sequencer. Make tunes in your browser and share them with friends!
Made by Jacob Morgan and George Burdell
·
Hosting 5,196,364 sequences since 2013 ·
Buy us a ☕ ·
Privacy
·
