that semi-obligatory set of pieces for every key, except the composer is trying out 24 notes per octave
Finished:
No. 1 (C Major), No. 2 (A Minor), No. 3 (A-half-sharp Major), No. 4 (G-half-flat Minor), No. 5 (G Major), No. 9 (D Major), No. 13 (A Major), No. 33 (A-flat Major), No. 41 (B-flat Major)
Finished:
No. 1 (C Major), No. 2 (A Minor), No. 3 (A-half-sharp Major), No. 4 (G-half-flat Minor), No. 5 (G Major), No. 9 (D Major), No. 13 (A Major), No. 33 (A-flat Major), No. 41 (B-flat Major)
#
TITLE
ewrruewc
4/4/26 11:05
i can guarantee you don't know the time signature of this
it's ok, because I don't either.
05/10/2026 (what is it with me and writing préludes on holidays for no reason?)
Prélude in G-half-flat Minor, Op. 6, No. 4 (from 120 Préludes, Op. 6)
there are 120 keys and every time someone complains i create 5 new keys
I've finally bridged the gap between Op. 6, No. 3 and No. 5, but compared to both of them this one is so mid. On the decency scale (where AI songs are 0 and Chopin's pieces are closer to infinity), this is only around a 7. For context, Scherzo-Fantaisie is a 70 and the first movement of the Sonata is around a 100.
This is a mix of 3/8 and 6/16 (translation: I don't even know). Most of the bars are clearly 3/8, but some are clearly 6/16 and others could be either.
05/10/2026 (what is it with me and writing préludes on holidays for no reason?)
Prélude in G-half-flat Minor, Op. 6, No. 4 (from 120 Préludes, Op. 6)
there are 120 keys and every time someone complains i create 5 new keys
I've finally bridged the gap between Op. 6, No. 3 and No. 5, but compared to both of them this one is so mid. On the decency scale (where AI songs are 0 and Chopin's pieces are closer to infinity), this is only around a 7. For context, Scherzo-Fantaisie is a 70 and the first movement of the Sonata is around a 100.
This is a mix of 3/8 and 6/16 (translation: I don't even know). Most of the bars are clearly 3/8, but some are clearly 6/16 and others could be either.
1 Comments
6/8
Link to this sequence: 5324170
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