1. C Major - completed
2. C Minor - completed
3. D Major - completed
4. D Minor - completed
5. E Major - completed
6. E Minor - under rewrite
7. F Major - completed
8. F Minor - completed
9. G Major - completed
10. G Minor - completed
11. A Major - completed
12. A Minor - under rewrite
13. B Major - completed
14. B Minor - completed
15. C# Major - not started
16. C# Minor - not started
17. Eb Major - not started
18. Eb Minor - not started
17. F# Major - not started
18. F# Minor - not started
19. F# Major - not started
20. F# Minor - not started
21. Ab Major - not started
22. Ab Minor - not started
23. Bb Major - not started
24. Bb Minor - not started
2. C Minor - completed
3. D Major - completed
4. D Minor - completed
5. E Major - completed
6. E Minor - under rewrite
7. F Major - completed
8. F Minor - completed
9. G Major - completed
10. G Minor - completed
11. A Major - completed
12. A Minor - under rewrite
13. B Major - completed
14. B Minor - completed
15. C# Major - not started
16. C# Minor - not started
17. Eb Major - not started
18. Eb Minor - not started
17. F# Major - not started
18. F# Minor - not started
19. F# Major - not started
20. F# Minor - not started
21. Ab Major - not started
22. Ab Minor - not started
23. Bb Major - not started
24. Bb Minor - not started
#
TITLE
Deep_Neptune
7/21/25 5:14
prelude in d major "nocturne"
constant surrounding of tonic and dominant
written to evoke the feeling of a nocturne with the arpeggiated bass etc.
this prelude has a constant pedal tone
i have always preferred d major over the other keys, hence the sinfonie op 57, and i feel like this wasnt enough, so here is a longer prelude to give the key justice
theme 1 (1 - 8)
theme 2 (9 - 16)
development (17 - 22)
theme 2 (23 - 24)
sudden restatement of theme 1 in the high register (25 - 26)
theme 2 (27 - 30)
coda (31 - 38)
yea i wrote this in 1 hour, so what?
i will add colors later
(i never did)
written to evoke the feeling of a nocturne with the arpeggiated bass etc.
this prelude has a constant pedal tone
i have always preferred d major over the other keys, hence the sinfonie op 57, and i feel like this wasnt enough, so here is a longer prelude to give the key justice
theme 1 (1 - 8)
theme 2 (9 - 16)
development (17 - 22)
theme 2 (23 - 24)
sudden restatement of theme 1 in the high register (25 - 26)
theme 2 (27 - 30)
coda (31 - 38)
yea i wrote this in 1 hour, so what?
i will add colors later
(i never did)
1 Comments
nice
Link to this sequence: 4771555
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