sometimes it's 75% decent, sometimes it's 1810% decent, just anything except Op. 1 No. 2, Ballade No. 1, or Op. 4
and only the pieces with an opus, so no rush b-flat
and only the pieces with an opus, so no rush b-flat
#
TITLE
Car
12/24/25 0:27
ewrruewc
12/20/25 16:49
ewrruewc
11/28/25 18:28
don't mind if this sounds a little off, this is under renovation.
screw the Nocturne, this is the best thing I've ever written.
12/23/2025
Scherzo-Fantaisie in A Minor, Op. 5, No. 4 (from 6 Apologies, Op. 5)
The sequel to
.
I made the coda all the way back in September and I almost made this a Ballade No. 2. I did change the coda significantly though; that sequence was only supposed to be a rough draft. It obviously has a bunch of influence from Chopin's 4 Scherzos (Scherzi?), but I also got inspo from this amazing "reverse étude" and this Scherzo that I would consider Scherzo No. 5. It's the second longest piece I've ever made at 9 minutes 23 seconds, so I pretty much had to divide the themes up into sections.
Intro: 1-32
Theme A (m. 33-220):
- A1: 33-96
- A2: 97-148
- A1 (again): 149-180
- A3: 181-220
Theme B (m. 221-432):
- B1: 221-256
- B2: 257-296
- B3: 297-328
- B1 (again): 329-360
- B2 (again): 361-400
- B3 (again): 401-432
Transition: 433-500
Theme A (m. 501-640):
- A1: 501-516
- A2: 517-568
- A1 (again): 569-600
- A3: 601-640
Coda: 641-734
screw the Nocturne, this is the best thing I've ever written.
12/23/2025
Scherzo-Fantaisie in A Minor, Op. 5, No. 4 (from 6 Apologies, Op. 5)
The sequel to
I made the coda all the way back in September and I almost made this a Ballade No. 2. I did change the coda significantly though; that sequence was only supposed to be a rough draft. It obviously has a bunch of influence from Chopin's 4 Scherzos (Scherzi?), but I also got inspo from this amazing "reverse étude" and this Scherzo that I would consider Scherzo No. 5. It's the second longest piece I've ever made at 9 minutes 23 seconds, so I pretty much had to divide the themes up into sections.
Intro: 1-32
Theme A (m. 33-220):
- A1: 33-96
- A2: 97-148
- A1 (again): 149-180
- A3: 181-220
Theme B (m. 221-432):
- B1: 221-256
- B2: 257-296
- B3: 297-328
- B1 (again): 329-360
- B2 (again): 361-400
- B3 (again): 401-432
Transition: 433-500
Theme A (m. 501-640):
- A1: 501-516
- A2: 517-568
- A1 (again): 569-600
- A3: 601-640
Coda: 641-734
Offset
Delay
BPM
Title
Instrument
3
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