Hello, and welcome to what is, as far as I can tell, OS's only Feedback thread! How this is going to work is the following:
If you want feedback: Please post to this thread with a link to the sequence, followed by specific things you want the person giving the feedback to focus on, including but not limited to mixing, composition, or sound design, if applicable. You do not have to post a sequence on OS, but it is preferred for convenience. It would also help to post a recorded file of the sequence for those with bad computers, if possible.
If you would like to give feedback: Reply to the post you are giving feedback on. The following template is a guide to the formatting of the feedback
1.) Outline what the artist did well in the composition in general (I recommend 2 or 3 things to comment on, if possible))
2.) If they specified areas to look at, comment on those. I suggest mentioning the good before the bad
3.) End with other things the artist could change, without sounding negative or scolding. (Again, 2-3 things if possible)
4.) A final sentence with final notes and summary of the feedback.
Try to keep feedback as objective as possible. There are things to avoid in music, so touch on those.
Also, if you have any tips and tricks that you think might enhance the song/sequence, please share, and either go in depth into the mechanics or give an example sequence.
This may seem oddly specific, but I find that there's a general problem with giving feedback on OS, that is, feedback is either nonexistent, incredibly vague, or not helpful to the artist in some other way. With this thread I hope to introduce feedback into the OS community, making the average quality of compositions go up, and helping musicians develop their ears as well.
I will try to be active on this thread when possible, although that my not be possible. My hope is that some higher ranked members of the community take this opportunity to help other musicians get better at their craft, as well as maybe learn a few tricks and techniques for themselves.
I hope you enjoy the thread, and let's hope this doesn't just die immediately.
If you want feedback: Please post to this thread with a link to the sequence, followed by specific things you want the person giving the feedback to focus on, including but not limited to mixing, composition, or sound design, if applicable. You do not have to post a sequence on OS, but it is preferred for convenience. It would also help to post a recorded file of the sequence for those with bad computers, if possible.
If you would like to give feedback: Reply to the post you are giving feedback on. The following template is a guide to the formatting of the feedback
1.) Outline what the artist did well in the composition in general (I recommend 2 or 3 things to comment on, if possible))
2.) If they specified areas to look at, comment on those. I suggest mentioning the good before the bad
3.) End with other things the artist could change, without sounding negative or scolding. (Again, 2-3 things if possible)
4.) A final sentence with final notes and summary of the feedback.
Try to keep feedback as objective as possible. There are things to avoid in music, so touch on those.
Also, if you have any tips and tricks that you think might enhance the song/sequence, please share, and either go in depth into the mechanics or give an example sequence.
This may seem oddly specific, but I find that there's a general problem with giving feedback on OS, that is, feedback is either nonexistent, incredibly vague, or not helpful to the artist in some other way. With this thread I hope to introduce feedback into the OS community, making the average quality of compositions go up, and helping musicians develop their ears as well.
I will try to be active on this thread when possible, although that my not be possible. My hope is that some higher ranked members of the community take this opportunity to help other musicians get better at their craft, as well as maybe learn a few tricks and techniques for themselves.
I hope you enjoy the thread, and let's hope this doesn't just die immediately.
On that good *****