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this is still meant for 2 hands, sorry
I'm finally writing another Étude after 2 and a half months.
01/16/2026 (first piece of 2026!)
Étude in F Major, Op. 3, No. 5 (from 12 Études, Op. 3)
anyways this is on musescore now
The technique for this one is basically making the melody echo. It's repeated an octave above with a quarter note delay to make the notes sound like they're reflecting off of non-existent walls. The echoed notes are on another clone with more reverb since reverb and echo are technically the same thing.
I also used a new technique for composing this! All the colors you see are muted piano clones. The real sound comes from clones under the colors. @ewrruewc said it'll make it less laggy, which it does. But it essentially doubles the amount of notes I would use since half the notes are to make it look pretty. This sequence has 3652 notes (in 75 measures, mind you), which is only around 44.86% of the amount of notes in the Scherzo-Fantaisie.
The other thing is, I can't even humanize it anymore. When I tried, not only did the unmuted notes peek out, but some of them even went in front of the muted ones. Overall, it just looked ugly, so I just said "screw it, I'm just gonna not humanize it." That's why this sequence sounds a little more robotic than the previous ones.
hold on how did I write a whole description and not once mention Cho— *gets shotted 14,476 times* and that number isn't random
apparently you're supposed to write the whole piece and THEN add the colors. I just did that
01/16/2026 (first piece of 2026!)
Étude in F Major, Op. 3, No. 5 (from 12 Études, Op. 3)
anyways this is on musescore now
The technique for this one is basically making the melody echo. It's repeated an octave above with a quarter note delay to make the notes sound like they're reflecting off of non-existent walls. The echoed notes are on another clone with more reverb since reverb and echo are technically the same thing.
I also used a new technique for composing this! All the colors you see are muted piano clones. The real sound comes from clones under the colors. @ewrruewc said it'll make it less laggy, which it does. But it essentially doubles the amount of notes I would use since half the notes are to make it look pretty. This sequence has 3652 notes (in 75 measures, mind you), which is only around 44.86% of the amount of notes in the Scherzo-Fantaisie.
The other thing is, I can't even humanize it anymore. When I tried, not only did the unmuted notes peek out, but some of them even went in front of the muted ones. Overall, it just looked ugly, so I just said "screw it, I'm just gonna not humanize it." That's why this sequence sounds a little more robotic than the previous ones.
hold on how did I write a whole description and not once mention Cho— *gets shotted 14,476 times* and that number isn't random
apparently you're supposed to write the whole piece and THEN add the colors. I just did that
1 Comments
LOVE this, love the ascending melody, love 17-32, love everything honestly. NEVER STOP!!
Link to this sequence: 5111429
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